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Emily Belknap Paintings May Be Calming But They Are Political Landscapes

| Art and design | September 19, 2012

Emily Belknap paintings migration

Emily Belknap paintings fence

Emily Belknap paintings orange fence

Emily Belknap paintings snow fence

Emily Belknap paintings tired

Emily Belknap paintings tree line

Emily Belknap paintings winter cornfield

Emily Belknap paintings winter fence

Emily Belknap‘s paintings, sculptures and installations have a sense of calm about them, they slow you down, allow you space to breathe. Having said that the sense of calm in her images belies the subject matter – it is political, focussing on the barriers that enclose us and restrict our freedom. She can put it alot better:

In my paintings and sculptures I focus on areas of convergence in a landscape; the horizon, the meeting of water to land, and the barriers [fences] delineating natural/political boundaries. My work addresses the in-between areas; the tender places that are partially wet and partially dry, the margin created by an open field meeting a line of trees, or the fence separating one backyard from another.

I find it easy to identify with barriers. A fence is a rigid structure on flexible ground. I think about how we use a fence to clarify or delineate. We abstract the landscape through constructed barriers. These barriers simplify the landscape, but over time they become ineffectual. In our attempts to stabilize, the barriers we construct are precariously placed. The ground beneath us is moving, slowly but persistently, and as boundaries change, barriers tire.

 

Via Fineline Magazine 

 

moray mair

about moray mair

moray mair has written 1464 posts in this blog.

Founder of this skills exchange, obsessive searcher for new art from around the world, producer of arts events and projects, music programmer and retired puppet maker

  

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