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Egor Badin’s Neo-Expressionist Portrait Paintings

| Art and design | 3 hours ago

Painting By Egor Badin Called Boy

Painting By Egor Badin Called Kiss

Painting By Egor Badin Called Metro

Painting By Egor Badin Called Miner

Painting By Egor Badin Called Neighbour

Painting By Egor Badin Called Office Zombie

Painting By Egor Badin Called Richard Yates

Painting By Egor Badin Called Swimming Pool

I really love Egor Badin’s paintings, his portraits, but I can’t find a bloody thing on him, not even a facebook page. It kills me when I come across artists and work I like but can’t find out anything about them, their lives, inspirations, process, etc. Nothing at all. Nada.

But in regards to his work Badin is without a doubt a graphic orientated artist, his colours are bold, the forms simple and strong while his brush work and use of line reminds me of the neo-expressionists of the 70′s and 80′s. Artists I love; Philip Guston, Ouattara Watts, Jean-Michel Basquiat and so on.

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22 total views, 22 today

Matteo Varsi’s Photography On Expired Film Lies Between Physical Reality And A Romantic Vision

| Photography | 5 hours ago

Photographs By Matteo Varsi Called Beach Swim

Photographs By Matteo Varsi Called Cliff

Photographs By Matteo Varsi Called Cool Fractal

Photographs By Matteo Varsi Called Exotic

Photographs By Matteo Varsi Called Geisha

Photographs By Matteo Varsi Called Lemon

Photographs By Matteo Varsi Called Paradise

Photographs By Matteo Varsi Called Rock

Matteo Varsi‘s photography lies somewhere between photography and literature, between now and then, the physical reality and a romantic vision of the world. The medium – primarily pinhole and polaroid cameras – and his use of expired instant film is merely a means to an end, to find a visual poetry in the everyday, to capture the light of a timeless space in which memories live and breathe, a place that beings to mind the sub-conscious, the ephemeral, the abstract.

Instant photography allows Varsi the opportunity to pursue the tone of his stories, the colours of his ideas and more importantly allows space for change, for accidents to happen over which he has no control. This matter of control is a fundamental part of his work.

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56 total views, 56 today

Daniel James Leznoff’s Collages Are Influenced By Film And Literature

| Art and design | 7 hours ago

Collages By Daniel James Leznoff Called Clue

Collages By Daniel James Leznoff Called Conversation

Collages By Daniel James Leznoff Called Divined

Collages By Daniel James Leznoff Called Escape

Collages By Daniel James Leznoff Called Gruesome

Collages By Daniel James Leznoff Called Joe

Collages By Daniel James Leznoff Called Mouths

Collages By Daniel James Leznoff Called Trip

Collages By Daniel James Leznoff Called Ultra

While I often post up collages on this blog I’m sometimes reticent about it if only because there is a proliferation of collage art on the web. Everyone seems to be at it as it’s a good medium to have online being immediate, colourful and the images used familiar. Having said all that I love Daniel James Leznoff‘s collages for the opposite reasons.

Leznoff comes from a film background and thus his images and the manner in which he juxtaposes them are more complex, have a more surreal aspect to them than your average collage artist. He allows us to create our own narratives, our own stories from his compositions, his pictures often humorous, psychedelic and bizarre. Like many collage artists Leznoff finds his images in old library books, early print ads and family photographs but while many rely on digital processes to create their final image Leznoff relies on the old school technique of scissors and UHU glue.

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49 total views, 1 today

Lekan Jeyifous Drawings From Settlements and City Strategies Are Incredible Futuristic Urban Maps

| Art and design | 9 hours ago

Drawings By Lekan Jeyifous called cities

Drawings By Lekan Jeyifous called city strategies

Drawings By Lekan Jeyifous called city

Drawings By Lekan Jeyifous called Growth Strategy

Drawings By Lekan Jeyifous called Plan

Drawings By Lekan Jeyifous called settlement city strategies

Drawings By Lekan Jeyifous called urban growth strategy

Drawings By Lekan Jeyifous called Urban Plan

Drawings By Lekan Jeyifous called Urban Settlements

Lekan Jeyifous‘ architectural drawings from his ‘Settlements and City Strategies’ series are a testament to his skills as an architectural technician and draughtsman as well as his sense of design and ideas about future urban spaces. His drawings are beautifully created using both geometric and organic shapes that remind me of the Nazca lines in Peru, futuristic hubs for spacecraft, charts, maps and blueprints.

What makes his drawings stand out however is the dichotomy between the digital and hand made techniques that exist in the series. Jeyifous’ drawings start out as digital images that are then outputted, sketched and drawn over and scanned back into the computer in order to be retraced, textured and layered. This mix of techniques creates an aesthetic that makes each drawing seem as if it was an historical document from some distant future relating to one not so far away.

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59 total views, 59 today

Michael Cusack’s Paintings Trace The Psychological Topography Of Irish Culture

| Art and design | May 21, 2013

Painting By Michael Cusack Called Anchor

Painting By Michael Cusack Called Cavetto

Painting By Michael Cusack Called Loma

Painting By Michael Cusack Called Marker

Painting By Michael Cusack Called Matta

Painting By Michael Cusack Called Parc

Painting By Michael Cusack Called Raskin

Painting By Michael Cusack Called Sotto

Painting By Michael Cusack Called Tableaux

Michael Cusack‘s paintings take us back into a time immemorial; of Irish land, it’s people and the topography that has embedded itself into the Irish psyche. Although he has lived in Australia for over 20 years  - Byron Bay which is a divine place to live – Cusack is still using the visual language of Ireland; the muted colours, forms, spaces, in his paintings. It’s as if painting connects him to his homeland; the rocks found in the walls of the West of Ireland, the bogs, moss, lakes and wild, cold places.

Cusack explores this terrain using subtle graphic elements – derived from his interests in architectural blueprints, boat diagrams and the interlocking shapes found in building and technical drawings – that are almost symbolic, metaphorical, his markings drawn, rubbed, smudged or scratched, his gestures suggesting connections through which we create our own narratives. Here’s what he has to say about his work on his website:

Poetry and a graphic impulse represent the cornerstone of Cusack’s practice. The poeticism is both formal and conceptual. His palette, for instance, is usually confined to nuance, with fine shifts in a pale tonal range. And his use of haloed shapes and vessels can be particularly poignant. They seem vulnerable, fragile, and become vehicles of mysterious promise, keepers of secrets and stories; no two the same.

His is a compulsive mark-maker, routinely drawing throughout the course of building ground. Graphite elements are sometimes buried, or become translucent motifs as they are filtered through the washes of overlaid paint. More often, they are an openly lyrical component of the surface of the work. The marks also act as narrative keys, like the snatches of history that a pedestrian might gather from pavements, doorways and walls. It is no accident that some of his paintings, both in the chalky quality of the finish and the seemingly random marks, recall urban details. He photographs these as reference. He will even use framing bands of contrasting colour and/or texture to accentuate a particularly sensitive area of the work and so render it path-like.

 

42 total views, 4 today

Joshua Gordon’s Photographs Cast A Light On Urban Life In Dublin

| Photography | May 21, 2013

Photography By Joshua Gordon Called Carpark

Photography By Joshua Gordon Called Drink

Photography By Joshua Gordon Called Face

Photography By Joshua Gordon Called Kiss

Photography By Joshua Gordon Called Mirror

Photography By Joshua Gordon Called Model

Photography By Joshua Gordon Called Shop

Photography By Joshua Gordon Called Street

Photography By Joshua Gordon Called Wrecked

It’s always a pleasure to post up work by an Irish artist and Joshua Gordon‘s photographs are the perfect tonic after a long day looking at pictures from around the world. Having said that the images he shoots of Dublin are grim, dark and gritty, they are pictures of life on the edge, the last vestiges of a party.

Even though Gordon is well known in urban fashion circles he has a strong interest in documentary photography and its in this arena that we get a glimpse of Dublin, of a city falling into ruin, a place decimated – like the rest of the country – by greed, corruption and inequality.

As someone big into hip hop and electronica Gordon’s urban influences transcend photography and after his photo blog, FucknFilthy, took off he set up his own fashion label. Since then his star has been rising in both Ireland and abroad for both his striking pictures and cutting-edge design.

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53 total views, 4 today

Marcelina Amelia’s Illustrations Come Out Of Her Dreams

| Art and design | May 21, 2013

Illustrations By Marcelina Amelia Called Blossomings

Illustrations By Marcelina Amelia Called Bored

Illustrations By Marcelina Amelia Called Boy

Illustrations By Marcelina Amelia Called Cruel

Illustrations By Marcelina Amelia Called Hood

Illustrations By Marcelina Amelia Called Lust

Illustrations By Marcelina Amelia Called Mickey

Illustrations By Marcelina Amelia Called Pleasure

Illustrations By Marcelina Amelia Called Stop

Marcelina Amelia‘s illustrations are graphic and fantastical with a fashion aesthetic that sees her figures posing, pouting in a nonchalant manner. There is a rich exuberance about Amelia’s drawings; a love of line, ink and pattern. Amelia is inspired by dreams, memories and Catholic iconography and often draws first thing in the morning while still between the worlds of dreams and awakening. This mining of dream imagery gives her drawings a neurotic edge, an angst, a darkness that is honest and without the hindrance that societal norms put upon us.

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49 total views, 5 today

Yoshi Sodeoka’s Digital Prints Are A Psychedelic Reboot Of The Summer Of Love

| Art and design | May 21, 2013

Print By Yoshi Sodeoka Called Copy

Print By Yoshi Sodeoka Called 13th

Print By Yoshi Sodeoka Called Echoes

Print By Yoshi Sodeoka Called Ghost

Print By Yoshi Sodeoka Called Hair

Print By Yoshi Sodeoka Called Orb

Print By Yoshi Sodeoka Called Sun

Print By Yoshi Sodeoka Called Video

Yoshi Sodeoka‘s digital prints are a psychedelic reboot, a flashback to the summer of love in all its retro glory. Sodeoka has been making trippy videos, animations and prints for nearly two decades and his work has graced everywhere from London’s Tate Britain to The Creators Project’s La Gaîté lyrique in Paris and Barcelona’s Sonar Festival to Berlin’s Transmediale.

Inspired by music Sodeoka’s work grows out of noise, punk, metal and more recently prog rock with samples taken from found footage and online images. This mental, crazy aesthetic creates a strange bastard version of modern experimental music and art over the last 20 years. This is work that celebrates the wonderful decade that was the 90′s. Well the first part anyway. Of his psychedelic style he has this to say:

For me, it’s about making mind-altering hypnotizing visuals with no weird chemicals involved.

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49 total views, 5 today

Tiane Doan Na Champassak Photo Series ‘Spleen And Ideal’ Can Be Seen @ Copper House Gallery, Dublin From 29th May

| Photography | May 20, 2013

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Body

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Conscientious

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Ideal

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Kneel

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Lie

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Pussy

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Spleen

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Untitled

Photographs By Tiane Doan Na Champassak From Spleen And Ideal Called Woman

Tiane Doan na Champassak‘s photograph series ‘Spleen And Ideal’ can be seen at The Copper House Gallery, Dublin from 30th May – 11th June. It’s another wonderful photo exhibition from the curators of the Copper house Gallery, the last one being ‘Anthropocene by Irish artist David Thomas Smith.

Champassak began his career as a photo jounalist investigating issues around gender identity and over the years this has led him into a more artistic realm in which he uses various techniques, materials and formats to emphasise his subject matter.

In ‘Spleen and Ideal’ Chanpassak looks at the blurring of boundaries between male and female and transgressive sexual encounters, the pictures capturing what seem to be the same person on instant film and contextualised by images of the buildings in which they were taken in Thailand.

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74 total views, 1 today

Todd Gross’ Street Photography Is A Funny And Smart Look At Daily Life In New York

| Photography | May 20, 2013

Street Photography By Todd Gross Called Arrow

Street Photography By Todd Gross Called Beach

Street Photography By Todd Gross Called Lawn

Street Photography By Todd Gross Called Old

Street Photography By Todd Gross Called Rubbish

Street Photography By Todd Gross Called Sexy

Street Photography By Todd Gross Called Shadow

Street Photography By Todd Gross Called Subway

Street Photography By Todd Gross Called Taxi

Street Photography By Todd Gross Called Water

What can one say about Todd Gross‘ street photography? Words aren’t needed. His pictures say everything about him; humorous, sharp, alert with a unique take on the daily grind, life on the streets of New York. It’s clear from his pictures that Gross has a close affinity with the city; it’s people, habits, rituals, light. His blog is full of images that make communities what are, full of the quirks and idiosyncrasies that make us all unique.

I found a great interview with him on a street photography site called erikkimphotography.com so I thought I’d post it up. It’s inspiring stuff and pure American.

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74 total views, 4 today

Mariana Abasolo Drawings Are Strange And Surreal Pictures

| Art and design | May 20, 2013

Drawings By Mariana Abasolo Called Bird

Drawings By Mariana Abasolo Called Building

Drawings By Mariana Abasolo Called Computer

Drawings By Mariana Abasolo Called Fox

Drawings By Mariana Abasolo Called Room

Drawings By Mariana Abasolo Called Sitting

Drawings By Mariana Abasolo Called Sphinx

Drawings By Mariana Abasolo Called Untitled

Drawings By Mariana Abasolo Called Wall

I know nothing about Mariana Abasolo and can only say something about her odd and strangely naive colour pencil drawings. The drawings are all over the internet yet she remains a cypher, a Brazilian artist who is happy to post up her drawings, doodles and collages online at a ferocious rate yet remains anonymous. I for one love these pictures. I’m not sure why. On initial viewing they remind me of teenage drawings done with a ruler, compass and basic colouring pencils.

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53 total views, 5 today

Daniel Pitin’s Paintings Are A Bleak Look At History

| Art and design | May 20, 2013

Paintings By Daniel Pitin Called Blue Angel

Paintings By Daniel Pitin Called Broken

Paintings By Daniel Pitin Called Building

Paintings By Daniel Pitin Called Hand

Paintings By Daniel Pitin Called Loge

Paintings By Daniel Pitin Called Ogres

Paintings By Daniel Pitin Called Play

Paintings By Daniel Pitin Called Scholars

Paintings By Daniel Pitin Called Shadow

Daniel Pitin’s paintings are thematically similar to many young artists coming out of Eastern Europe, the work bleak, almost apocalyptic, a sense that the tide of historical determinism that shaped that part of the World for the most part of the 20th Century has been ruptured, destroyed, and in its wake a void is waiting to be filled, a possibility waiting to be awoken.

While Pitins dilapidated buildings and run down interiors exude a sense of disillusionment and helplessness there is nevertheless a sense that what once was has now gone and what remains is the possibility of change, of opportunity, of freedom to create a new space of social and economic freedom. Freedoms denied to generations before him.

Blending layers of imagery informed by film stills, found photographs downloaded from the Internet with actual observed scenes and vague memories Pitín renders his theatrical scenes in dark, muted colours, creating an oppressive atmosphere that gives weight to the narrative that unfolds in each composition.

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48 total views, 2 today

A Hipster Bar In Paris Does Irony Beautifully

| Life in a cultural petri dish | May 18, 2013

mary celeste is a french hipster bar

marie celeste is hipster bar in Pais

When I read about a bar in the cool Marais district of Paris, I decided it was a venue my husband and I definitely had to check out on a fleeting visit there last week. ‘Le Mary Celeste’, named after the famous ghost ship, was described in The Guardian as ‘the’ place for hipster Parisians. This piqued my interest as I’ve recently written a piece about Irish ‘Hipsters’ and while I can spot an Irish hipster at ten paces I was willing to bet the Parisian version would take it to a whole other level.

My husband and I excitedly took the metro from the Champs-Élysées the six stops to Rue Commines in Marais and arrived at our destination. We entered the bar and were immediately asked to take a seat at the end of the central bar. The handsome barman shrugged and said ‘It gets busy’ by way of explanation. He wasn’t wrong. The bar seats only 20 people and within ten minutes of our grabbing our stools the place was filling up with unshaven people in skinny jeans. While my husband examined the cocktail menu, I surveyed the scene. The interior is nautically themed with fruit hanging in fishing nets and a garish parrot on the door leading to the bathroom.

To my delight, ‘The Police’ hit, ‘Roxanne’ was playing on a turntable in the corner, when it finished the Prince song ‘Controversy’ started up. There was no way the three good-looking young maestros behind the bar were born before 1985 so the 80s music had to be a conscious choice. Possibly an ironic one as that tends to be a hipster characteristic.

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103 total views, 4 today

A Delicious Chicken, Asparagus, Gorgonzola And Spinach Tartlet Recipe

| Recipes from a mutant kitchen | May 18, 2013

Recipe for Chicken, Asparagus, Gorgonzola And Spinach Tartlet

Right another delicious recipe from our burlesque chef. And another gorgeous way to use your leftovers. This time it’s the turn of a chicken, asparagus, gorgonzola and spinach tartlet. Here’s what our resident food writer has to say:

Whether cooking for two or ten there’s always a little left over roast chicken lurking about the fridge for the next day. But, if you’re like me, you’d probably fancy a change from the previous day. This is a great alternative, a tartlet dish that is packed with flavour and works as a lunch option with salad just as well as a dinner option with roasted new potatoes and vegetables.
This recipe uses small tartlet rings but you can double the recipe for larger portions or just double to have a little extra in the freezer for the next time.

The classic flavour combinations of Gorgonzola, white wine, cream and spinach never fail and their game is upped with the addition of asparagus and chicken. What you’re looking at is the best leftover dish ever.

Shortcrust Pastry
120g Plain white flour
50g Butter (chopped into cubes)
25ml Cold Water
Pinch of Salt
Method:
Place flour, salt and butter in a large bowl and rub with your fingers until it resembles coarse breadcrumbs. (Do not overwork as it gets oily)
With a stiff palette knife, mix in the cold water until combined, then wrap in cling film and place in the fridge for 30 minutes.
When using in tartlets, grease and flour the tartlet rings well, roll pastry to the thickness of two matchsticks to fit ring and ensure the pastry fits well into the corners. Remove remaining pastry, prick bottom of tartlet with a fork a couple of time and place in the freezer for 5 minutes.
Place parchment paper and baking beans in the cases and bake at 180’c for 5 minutes (baking blind) remove the beans and bake for a further 5.Remove from oven and remove the baking beans and parchment.

Filling:
1 cup of leftover cooked roast chicken
2 spears of asparagus (cooked and chopped into pieces- leaving spear long)
2 tbsp Gorgonzola
2 tbsp white wine
100ml Cream
Handful of sSpinach
1 clove Garlic (crushed and chopped)
½ small Shallot (sliced)
Salt and Pepper
1 tsp butter
2 slices of Prosciutto

Method:
Place the prosciutto on a tray and bake until crisp. Crumble.
Melt butter over a medium heat and sauté shallot and garlic lightly for 5 minutes.
Add the wine and reduce by half, add the cream and simmer for 3 minutes. Add the gorgonzola, asparagus (not spear top) spinach and chicken and simmer for 4 minutes until thickened.
Season well with salt and pepper and place in pre-baked tartlet cases. Add the crumbled Prosciutto, Asparagus spear on top, sprinkle over parmesan and place in the oven for 5-7 minutes.

58 total views, 3 today

Joe Kievitt’s Meticulous Drawings Are Wonderful Geometric Abstractions On Paper

| Art and design | May 17, 2013

Drawings By Joe Kievett Called Carpet

Drawings By Joe Kievett Called Box

Drawings By Joe Kievett Called Cross

Drawings By Joe Kievett Called Explosion

Drawings By Joe Kievett Called Geometry

Drawings By Joe Kievett Called Pink

Drawings By Joe Kievett Called Rug

Drawings By Joe Kievett Called Tornado

Drawings By Joe Kievett Called Triangle

These meticulous drawings by Joe Kievitt are not digitally created, printed or remotely machine made. They are done by hand with love and labour. Each one slightly out, ever so asymmetrical, human, fallible.

Kievett’s abstract compositions drawn in black and coloured ink on paper are based around a loose structure or pattern constructed using simple shapes and lines, repeated in different orientations, spacing and widths that often produce an optical or kaleidoscopic effect. Many of his finished pieces appear architectural while others clearly influenced by textiles.

When starting a new drawing Kievitt constructs a number of preliminary line drawings which he uses to refine the scale and composition of the piece. As the process repeats itself Kievett isolates areas with tape and then applies washes of ink with a brush and gives chance the opportunity to go off on its own tangent, riffing off the original concept. The final image  never fully revealed until the last piece of tape is removed from the paper.

Kievett use of chance and authorship are inspired by the paintings of Bernard Frize and Sol Lewitt as well as a deep love of craft and aesthetics.

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47 total views, 2 today

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