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Ai Weiwei’s Circle of Animals/Zodiac Heads Installation Has A Fascinating Story Behind It

| Art and design | July 31, 2012

Ai Weiwei Circle of Animals/Zodiac Heads installation

Ai Weiwei installation Circle of Animals/Zodiac Heads

Ai Weiwei Circle of Animals/Zodiac Heads art

Ai Weiwei Circle of Animals/Zodiac Heads art installation

Ai Weiwei Circle of Animals/Zodiac Heads

Ai Weiwei‘s Circle of Animals/Zodiac Heads is the latest installation by the internationally famous Chinese artist who is perhaps more known for his attacks on the Chinese establishment than his wonderful work. The piece is a reinterpretation of the 12 bronze animal heads representing the traditional Chinese zodiac that once adorned the famed fountain clock of the Yuanming Yuan, an imperial retreat in Beijing. In other words a rat, an ox, a tiger, a rabbit, a dragon, a snake, a horse, a sheep, a monkey, a rooster, a dog and a pig.

The clock has a European connection as it was originally designed in the 18th century by an Italian Jesuit serving in the court of the Qing dynasty Emperor Qianlong. In 1860, the Yuanming Yuan retreat was ransacked by French and British troops (led by Lord Elgin whose father famously took marbles – now called the Elgin marbles – from the Parthenon in Greece) and the heads were taken from the gardens in which they were situated. So that’s the background to the original heads. But it is the clash of the past and their story in the political present that Weiwei tries to give physical form to.

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Exhale By Daniel Williams Capture The Final Journey Between Life And Death In 5 Visual Minutes

| Film and animation | July 31, 2012

Exhale Daniel Williams

Exhale film Daniel Williams

Daniel Williams Exhale short film

Exhale Daniel Williams short film

Exhale is a short film directed by Daniel Williams in which he tries to capture the final journey between life and death. Each of the four chapters in the film symbolise a separate moment of that process; a movement towards the light, the last physical kicks, an outpouring of love, a release of fear and a final acceptance.

In five minutes of abstract visual imagery Williams manages to create a cinematic epic as he experiments with the spiritual and natural forces of wind, dust and human beings. The result – a poetic mix of sci – fi and fantasy.

Dan Williams explains:

I wanted to take a big idea and try and distill it down into a series of simple and arresting images. My main aim was to create something beautiful and resonant, imagery that will linger in the mind. It’s purposefully abstract so that the audience can take what they want from it, drawing their own conclusions and interpretations. Things in life aren’t generally spelled out, and I don’t think they should be in art either. To me it’s the subjective nature of the film that is it’s real strength. When I came up with EXHALE, I was looking at Tumblr sites a lot and was struck by how much dark imagery people were putting into their blogs. Death seemed to be far from the taboo subject matter I initially felt it was, and this gave me the confidence to follow through my vision.

 

Via Empty Kingdom 

153 total views, 1 today

Deedee Cheriel’s Animal Paintings Are Wonderfully Niaf And Full Of Symbolism

| Art and design | July 31, 2012

Deedee Cheriel painting bear

Deedee Cheriel painting

Deedee Cheriel

Deedee Cheriel naif painting

Deedee Cheriel bear painting

Deedee Cheriel painting owls

Deedee Cheriel painting horse boat

Deedee Cheriel painting lion

There’s something about Deedee Cheriel‘s work that I really like – there’s a North American Indian feeling to her paintings, a shamanistic view of animals, very niaf, full of symbolism. She’s currently showing her work in a group exhibition called ‘Unnatural – Natural History’ at The Royal West Of England Academy, Bristol, England. The exhibition is seen as an artistic exploration of an alternative world, a world where the dominant species are not human and natural objects are metamorphosed into unexpected and unnatural forms, a place in which genetic mutations and environmental pressure have altered the natural course of evolution.

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Michal Kohút’s 0,1 Interactive Installation Is Deceptively Simple

| Art and design | July 31, 2012

Michal Kohút installation

Michal Kohút 0,1

Michal Kohút 0,1 installation

Michal Kohút‘s ’0,1′ is yet another mindblowing interactive installation that I’ve fallen in love with. Kohút uses an open – source platform called Arduino to create the piece. What happens is pretty simple. You walk into the room and put on the glasses. Then the lights in the room turn off everytime you blink and it all happens so fast that you don’t even notice.

If you’re interested in the technology – which I knew nothing about – check it out as its intended for artists, designers, hobbyists and anyone interested in creating interactive objects or environments.

 

Via Triangulation 

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Illustrator Maira Kalman Talks About The Difference Between Thinking And Feeling

| Culture and politics | July 31, 2012

Maira Kalman epiphany feeling and thinking

Illustrator Maira Kalman talks about the difference between thinking and feeling in this short film from the THNKR’s series ‘Epiphany’. From the outset of the interview she makes it clear she doesn’t like thinking too much as it leads to problem solving, rationalization. To counter this she starts walking. An action that clears her head, opens up her mind to feelings and fills her soul with happiness. For Kalman walking is the key to a rich and rewarding artistic life.

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Solidarity Books Presents Howard Zinn’s ‘Marx in Soho’ And Wallace Shawn’s ‘The Fever’

| Culture and politics | July 30, 2012

marx in soho howard zinn

Solidarity Books are presenting Jerry Levy in Howard Zinn’s ‘Marx in Soho’ and Wallace Shawn’s ‘The Fever’ over the next few days in Cork City. The last time actor and activist Jerry Levy graced these shores he had sell out shows across the country and so it will be this time around as he performs these two seminal works.

Together the plays illustrate the humanity, care and frailty that lie at the heart of struggles in solidarity for justice and equality. His one person performance are simply brilliant as Jerry brings to life the nuances and contradictions in both Zinn and Shawn complimentary pieces.

Come see them yourself and you’ll be talking for ages as Jerry himself often rejoins the audience after the show to break down the barriers between performers and consumers.

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Roman Ondak’s ‘Measuring The Universe’ Installation Is Beautifully Elegant

| Art and design | July 30, 2012

Roman Ondak Measuring the Universe

Roman Ondak Measuring the Universe installation

Roman Ondak installation Measuring the Universe

Roman Ondak Measuring the Universe art installation

Roman Ondak’s ‘Measuring the Universe’ installation was first seen in MOMA in New York in 2009 but surfaced last year at the TATE. It’s a simple, elegant, beautiful idea and typical of Ondak’s interactive work. The piece starts as a blank white room and over time evolves into a room with a strip of celestial black marks all around the gallery space. What you’re actually seeing in the images above are the marks of over 90,000 visitors that measured, marked and named themselves on the wall. This simple action slowly gives spectators a sense of space, of how much we take up in this vast universe, of physical occupied space as well as interconnectivity.

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Asger Carlson’s Manipulated Photos Are Really Weird

| Photography | July 30, 2012

Asger Carlson manipulation photos

asger carlson manipulated photos

asger carlson manipulation photography

asger carlson photography

asger carlson manipulated photography

asger carlson photographs

asger carlson manipulation body photographs

asger carlson manipulation portrait photos

asger carlson manipulated portrait photographs

How to describe Asger Carlson’s photographic work? Creepy? Erotic? Strange? Weird? Funny? Perhaps. But what all these maniplated images definitely are is compelling – you can’t help but being drawn into them, into their narrative. Whether they’re his images of seemingly normal domestic scenes and everyday life or the distinctly freaky Francis Bacon style portraits Carlson’s humour and preoccupation with form are ever present.

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An Interview with The Amazing Li Wei Creator Of Gravity Defying Photographs

| Art and design | July 30, 2012

li wei photography

Li Wei’s mixture of gravity defying photography and performance art makes for really compelling work  - I have posted up his work on previous occasions – his images startling, funny, shocking. In this great interview he talks about his work, his motivations and takes us behind the scenes of his productions – and they really are productions – telling us what it feels like to be suspended from the side of a tall buildings, floating in the sky and crashing into cars.

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Wim Wenders ‘Places, Strange And Quiet’ Photos Are Reminiscent Of His Films

| Photography | July 30, 2012

Wim Wenders Places, Strange and Quiet

Places, Strange and Quiet Wim Wenders

Places, Strange and Quiet Wim Wenders photos

Wim Wenders Places, Strange and Quiet photos

Wim Wenders Places, Strange and Quiet photographs

Wim Wenders Places, Strange and Quiet photography exhibition

Wim Wenders photography

Wim Wenders photography exhibition

Wim Wenders ‘Places, Strange and Quiet’ photo series is made up of large format photographs taken by the artist from 1983 – 2011 in various countries around the world such as El Salvador, Brazil, Italy, Japan, Germany, Australia, Armenia and the United States. The renowned Director has been documenting his global wanderings taking pictures of panoramic landscapes, offbeat encounters and ghostly visions, places that are disappearing, are becoming a cultural memory of a place that once was. Just like his films there is a contemplative nature to his images, there is much to be felt in them. Perhaps a loss.

As he says himself:

When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots. I have a huge attraction to places. Already when I look at a map, the names of mountains, villages, rivers, lakes or landscape formations excite me, as long as I don’t know them and have never been there … I seem to have sharpened my sense of place for things that are out of place. Everybody turns right, because that’s where it’s interesting, I turn left where there is nothing! And sure enough, I soon stand in front of my sort of place. I don’t know, it must be some sort of inbuilt radar that often directs me to places that are strangely quiet, or quietly strange.

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215 total views, 1 today

Ryoji Ikeda’s ‘The Transfinite’ Installation Is Mindblowing

| Art and design | July 28, 2012

Ryoji Ikeda The Transfinite Installation

Ryoji Ikeda The Transfinite

The Transfinite Ryoji Ikeda

The Transfinite Ryoji Ikeda installation

 Ryoji Ikeda The Transfinite japanese installation

 Ryoji Ikeda The Transfinite japanese art installation

Ryoji Ikeda’s The Transfinite installation is a mindblowing video work. Unfortunately I don’t live in New York so I never got to experience it and have had to make do with this short video. However, it’s clear from watching the clip and the seeing the images that it’s an incredible, all encompassing, completely immersive work with the visitor being bombarded with data and electronic sound. The installation was exhibited at The Armoury in New York and here’s what they had to say about it:

Ikeda creates a visual and sonic environment where visitors are submerged in an extreme illustration of projected and synchronized data. His work uses scale, light, shade, volume, shadow, electronic sounds, and rhythm to flood the senses. In choreographing vast amounts of digital information, Ikeda conjures up a transformative environment in which visitors confront data on a scale that defies comprehension, experiencing the infinite.

If you haven’t heard of Ikeda here’s a brief synopsis:

He’s one of Japan’s leading electronic composers and visual artists whose practice focuses on the essential characteristics of sound and visuals by means of both mathematical precision and mathematical aesthetics. He has gained a reputation as one of the few international artists working convincingly across both visual and sonic media, elaborately orchestrating sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations.

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James Green’s Wonderful Seascape Photos Are Inspired By Genesis 1:2

| Photography | July 28, 2012

James Green Genesis

James Green Genesis photos

James Green Genesis photographs

James Green Genesis photograph series

James Green Genesis photo series

Genesis by James Green

Genesis by James Green photos

Genesis by James Green photo series

Genesis James Green photograph series

Genesis James Green seascape photographs

British photographer James Greens’s Genesis series are wonderfully clear, simple, reflective. Many of us, even if we’re not familiar with the Bible, know the famous lines from Genesis 1:2 – the second verse of the first chapter in the Book of Genesis that takes place after the initial creation and describes the Earth as formless, dark and void, with no light or organisms. The line from the opening chapter makes the order you see these photographs in particularly important.

This version is from the King James Bible:

And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.

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203 total views, 1 today

The Hippie Temptation Is A 1967 Documentary That Exposes The Shocking Truth About Hippies

| Culture and politics | July 28, 2012

The hippie temptation tv documentary

‘The Hippie Temptation’ is a CBS TV documentary from 1967 and really is of its time, exposing as it does the ‘shocking truth’ about Americas hippies, those drugged out degenerates of the late 60s. It’s an interesting film to watch as you really get the sense of how afraid straight America was of the rise of hippie culture.

In the report Harry Reasoner and Warren Wallace visit the Haight Ashbury District in San Francisco to find out more about the ‘Movement’, learn the scientific truth about LSD, the hazards of flashbacks and all about hippie love. Best of all is an interview with the Grateful Dead and a clip of Canned Heat magic in a ballroom.
As one of the interviewees says:

My mom thinks that where I’m living down here the Hippies are a bunch of dirty, filthy, infectious people. This is my bag and I found my place here and I scream and I holler and I’m happy.

239 total views, 0 today

DUNE X Is An Incredible Interactive Landscape Of Light

| Art and design | July 27, 2012

Studio Roosegaarde dune x

dune x Studio Roosegaarde

dune x Studio Roosegaarde interactive landscape

Dutch artist Daan Roosegaarde‘s Dune X interactive landscape of light was made for the 18th Sydney Art Biennale. It’s an incredible work in which a space is filled with hundreds of interactive lights and sounds that brighten according to the sounds and motion of passing visitors.

The Dune project has been ogoing for years and Roosegaarde’s company have installed these fiber lights in a numerous locations including a pedestrain tunnel and river walkway in Rotterdam, the Tate Modern, the National Museum in Tokyo, the Victoria and Albert Museum as wells public space commissions in Singapore, Eindhoven and Stockholm.

This latest installation is in the dark Dogleg tunnel in Sydney where visitors experience a real life ‘Alice in Technoland’ and will be open to the public from 27 July – 16 September 2012.

It looks incredible as do their other interactive projects such as Sustainable Dance Floor which generates electricity through the act of dancing.

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Matt Cusick’s Map Works Collages Are Wonderful

| Art and design | July 27, 2012

 Matt Cusick Map Works

 Matt Cusick Map Works collages

 Matt Cusick Map Works portraits

 Matt Cusick Map Works landscapes

 Matt Cusick Map Works water art

 Matt Cusick Map Works horse

 Matt Cusick Map Works horse detail

 Matt Cusick Map Works portrait detail

American artist Matt Cusick‘s ‘Map Works’ are a wonderful series of collages created entirely out of recycled maps. His subject matter – portraits of people, animals, water and land forms. His process, painstaking. First he has to gather old encyclopedias, textbooks, roadmaps and atlases. Then meticulously slice segments out of them in order to layer small clippings into familiar forms.

Cusick cleverly uses the various contours – lines, shapes and colours that represent sea depth, land height, etc – that are already drawn by previous cartographers to illuminate his own work. This gives his work a rich textural quality which he occasionally enhances by touching up areas with acrylic paint.

Of his work he has this to say:

I discovered that fragments of maps have all the properties of a brushstroke: nuance, density, line, movement, and color. Their palette is deliberate and symbolic, acting as a cognitive mechanism to help us internalize the external. And furthermore, since each map fragment is an index of a specific place and time, I found I could combine fragments from different maps and construct geographical timelines within my paintings. The maps also enabled me to achieve both a cut, hard-edge and a more nuanced, almost impressionistic one. The technique and conceptual applications continue to evolve. It’s a very generous medium.

 

Via Feel Desain 

 

 

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