Welcome, visitor! [ Register | Loginrss |  tw

Benito Mussolini Played Role In History Of Talking Cinema

| Culture and politics | May 28, 2012

mussolini played part in cinema history on movietone

Benito Mussolini ever the publicity conscious politician managed to find himself playing an important role in history of cinema by appearing in the first newsreel that had synchronised sound in the late 1920s. As many of you already know the 20s was the bridge between silent films and ‘talkies’. As technology developed through the decade Hollywood production companies were obsessed with bringing out the first film with sound, the first ‘talkie’. This race led to Il Duce speaking to the American nation in 1927. Here’s how the story goes.

By 1927 two companies were neck and neck for the grand prize; Warner Bros who had developed a recording – on – disc method called ‘Vitaphone’ and Fox who were developing a technology called ‘Movietone’ in which the audio was recorded as a variable – density optical track on the film alongside the visual image instead of on a separate gramophone record.

In 1927 it all came to a head with Warner Brothers planning to bring out the first feature film ‘talkie’ – ‘The Jazz Singer’. In anticipation of this momentuous occasion Fox decided to premier their Movietone feature ‘Sunrise: A Song Of Two Humans’, by the German expressionist filmmaker F.W. Murnau in late September, two weeks before ‘The Jazz Singer’. Even though Murnau’s film had sound it had no dialogue and so Fox included two Movietone newsreels to be shown before the main screening; one of the Vatican choir, the other of Mussolini.
In the Fox advertisement they claimed;

‘See and Hear ‘The Man of the Hour’ His Excellency Benito Mussolini, Premier of Italy’, he speaks to you and lives before your eyes on the Movietone!’

The ground – breaking newsreel was a publicity coup for both Fox and the dictator. Film historian Donald Crafton provides some background in his book The Talkies: American Cinema’s Transition to Sound, 1926-1931:

On 20 April 1927, Charles Pettijohn, general counsel for the Hays Office and head of the Film Boards of Trade, was meeting with Benito Mussolini. He suggested that the dictator sit for a filming, and Mussolini, a longtime film buff, readily agreed. Il Duce liked the result so much that he ‘is having a talking film prepared that will show his daily activities.’ Mussolini reportedly said, ‘Let me speak through [the newsreel] in twenty cities in Italy once a week and I need no other power.’ This film would enable him to appear in public with no threat of assassination.

The original version of the ‘Mussolini Movietone’ included footage of Fascist regiments drilling and a grand introduction of the dictator by the American ambassador to Italy, Henry P. Fletcher. Unfortunately this is the 1929 version. No matter. In the film Mussolini says;

I am very glad to be able to express my friendly feelings towards the American nation, friendship with which Italy looks at the millions of citizens, who from Alaska to Florida, from the Pacific to the Atlantic, live in the United States, which lay deeply rooted in our hearts.

Continue reading »

211 total views, 1 today

10 Reasons To Produce Festivals For Free

| All about mutantspace | May 28, 2012

producing diy arts festival for free

I thought I’d jot down 10 reasons why I, along with the other members of our skills exchange, produce our DIY Arts Festival for free. The Trash Culture Revue was a big success with no one making money, being recognised as purveyors of good taste, of producing cultural excellence, attracting sponsors, promoting tourism. Surely that’s what arts festivals are meant to do is it not? Create a land of Oz in which everything glitters and has a monetary value to it . A land in which culture is objectified, packaged and sold to the highest bidder.

I have no wish for that. I feel that once you’re in the position of being paid a salary to maintain that illusion then you are caught in a death spiral. You are answerable to everyone but yourself. You become a caretaker for a bigger project, a project that has nothing to do with celebrating culture; the vibrancy and expression of people, of place.

So here it is my 10 reasons why I love producing our autonomous DIY arts festival twice a year.

  1. You have no one to answer too but yourself
  2. When you don’t work for money your value system changes. Time becomes your currency and giving time comes from the bottom of your heart
  3. Producing events for free creates a feeling of solidarity between everyone involved; performers, organisers and audience
  4. Without money you have to think of alternative ways to produce events. This creates a space for ingenuity and collective action
  5. Productions created without capital can never be owned or appropriated by those with capital
  6. There is no compromise
  7. Every space in which an event happens is a space full of possibility and potential
  8. The event isn’t objectified rather it becomes part of a process
  9. A more substantial relationship is created between producer, performer and audience. In certain circumstances the barrier between the three is broken down entirely
  10. When you create something from nothing using time, will, love and desire then there are no limits to the imagination and possibility of change

Let me know what you think or if you have anything to add.

239 total views, 0 today

Origami Street Art By Mademoiselle Maurice Called Spectrum

| Art and design | May 28, 2012

origami street art by mademoiselle maurice

origami street art by mademoiselle maurice

rainbow origami street art by mademoiselle maurice

spectre origami street art by mademoiselle maurice

Here’s new origami street art by artist Mademoiselle Maurice in Paris called ‘Spectrum’ . As you can see she creates paper figures which she then sticks onto walls in rainbow like patterns around the city. It’s an unusual form of street art but makes an impression as it carries with it a texture, is an add on rather than a painting, a mural.

On her site she has an appropriate quote accredited to Harald Zindler;

The optimism of action is preferable to the pessimism of thought.

Via Colossal 

240 total views, 1 today

A music Documentary On How David Byrne and Brian Eno Make Music Together

| Everything about music | May 28, 2012

david byrne and brian eno music documentary

In 2008 Brian Eno and David Byrne made, ‘Everything That Happens Happen Will Happen Today’. Following on from that Hillman Curtis made a documentary interviewing both Eno and Byrne in their separate workspaces; capturing their conversations about parts of their songs and, in keeping with the album’s DIY promotional ethos, let them photograph one another. He also showed them doing what they do best when not making, creating: cycling, in Byrne’s case and looking pensively through windows in Eno’s.

There is not a music documentary as such rather Curtis concentrates on capturing each mans idiosyncracies and ability to articulate  when talking about the process of making and creating music. An ability which has earned both of them nearly 40 years of status as cerebral popular music icons.

What you have here is a fascinating documentary on two incredible artists talking about their collaboration, how they work and how the internet enabled them to create what was to become ‘Everything That Happens Happen Will Happen Today’. Enjoy it

 

Via Open Culture 

176 total views, 1 today

Murphy, The First Irish Cosmonaut

| Short fiction and poetry | May 28, 2012

irish comic writing from our skills exchange

This short story, ‘Murphy, The First Irish Cosmonaut’, is from our skills exchange writing series and brought to you by The Asylum.  It’s very funny, well written and I hope to get the opportunity to publish more from the author, Patrick Randall. So here we go.

I was drinking Southern Comfort in the Mutton Lane when all of a sudden nothing happened. Outside the rain came down in sheets. “Sammy my boy”, I said, “Sammy my boy, let’s go down to the Hi-B and get smashed drunk.”
Sammy picked up his prune face off the bar and pulled me by the ear down Oliver Plunkett street singing Badín Fheilimí.
We jumped into a taxi and roared for the driver to take us to a brothel. The taxi turned out to be a squad car but the lads were on their way there anyway so they brought us. I noticed the sergeant fiddling with the meter adding two euros to make it iambic. The Guards were fierce polite and recommended us to a Lithuanian pimp who ran all the best girls in Cork.
I was slavering over the thought of catching some exotic venereal disease that I could boast about to the lads back at the city library. We had a v.d pool going and the first one to collect the set would win a weekend for two in Mitchelstown. I’d nothing but crabs to my name and was lagging far behind the other guys in the competition. A dose of syphilis would really get me into the running.

Unfortunately the Lithuanian only had clean girls. The pimp should have looked like a cross between Harvey Keitel in Taxi Driver and John Turturro in Miller’s Crossing but the truth is he didn’t. He looked like a Kerry footballer in a nylon suit. He directed us into the Sunset Ridge Hotel and told us to go to room 5. Sammy was fidgeting at this stage worried about his capacity to perform. I told him that I could do his bird if he couldn’t make her. In the end it didn’t matter as the girls never came.
After we finished the girls got up and left, they didn’t even charge us.
“We’re whores” they said “we get paid for sex, not comedy.” Anyway outside it was lashing rain, or would have been had this really happened and it had been raining at the time. As it was we’ll just say it was raining. Pathetic phallacy they call it. That’s what the girls called it too. In the taxi on the way back, which turned out to be an early-morning milk float, Sammy did his party trick of stretching out the skin on his face as far as it would go until he looked exactly like that Le Brocquy painting.
“Put it away you dunce” I warned him. So he rolled it up and I took it home and later sold it to the Fenton Gallery, pocketing 100,000 smackers for it.

The next morning when I woke up, having only slept for 10 column inches, I was still bone-tired. I fixed myself some coffee and sat down on the toilet to gather my thoughts. I wasn’t real, I knew that much. No matter, I thought. No matter at all. The stool seemed real enough and pained me on the way out. I thought in Cartesian circles but it was getting me nowhere.

I needed some good old fashioned Celtic mysticism. From stool to spool I suppose. I will arise and go now, and go where drink is free, I decided. So I went to an art exhibition opening in the Triskel. Exhibition openings are funny in Ireland. They’re rahly rahly mahvellous. I drank sixteen bottles of wine. The artist had put together a series of drawings that represented the juxtaposition of urban and rural with Foucault’s theories on heterotopias. Anyway the exhibition was a great success. The artist promised she’d give me head in the toilet if I bought a picture. She sold out. I went home with a canvas that had one line in biro scrawled waywardly across it and a throbbing knob.
Artists have become a bit like weather girls these days. I took her number and promised to buy a picture from her every Wednesday evening after work when the wife was out. The money from the Fenton would get me through the miserable Cork winter and maybe even stretch as far as the Crawford College’s end of year summer show where it was always easy to pick up some young talent.

I yearned for the simple life away from all this parochial backwater shit-slinging. I wanted a quaint uncomplicated life in New York or Tokyo, where I could work in a call-centre or mug tourists by the train stations, at one with human nature. But something kept me here, some deep-seated lack of imagination and courage. I was an exile that hadn’t got around to leaving yet.

Continue reading »

233 total views, 0 today

Barbara Probst Creates Remarkable Photographic Series

| Photography | May 26, 2012

barbara probst photography

barbara probst photography

barbara probst photography

barbara probst photography

Photographer Barbara Probst has created this remarkable series titled ‘Exposure #82: Munich studio, 08.26.10, 1:57 p.m.’ in which the same exact second is captured from different viewpoints.

So what you might ask. Well, think about it this way. Which photograph has the authorative right over which way you view the subject captured in these images? How can you represent the same place in the same time frame from a different perspective? In short she questions the authority of a single photograph by revealing several different representations of the same moment.

Continue reading »

221 total views, 0 today

The Immortal Installation Imitates Biological Structures Using Hospital Equipment

| Art and design | May 26, 2012

immortal by revital cohen

immortal installation by revital cohen

immortal installation by revital cohen

immortal installation by revital cohen

Designer Revital Cohen has created ‘Immortal’ a creepy installation using hospital equipment such as a modified heart – lung machine, dialysis machine, mechanical mentilator, infant incubator and an intraoperative cell salvage machine to form a closed circuit that circulates artificial blood, electrical signals and air in order to replicate a biological structure.

It’s as if all the mechanical means of life are present except the ones that make us human; the soul, the mind, our life force. The video is worth watching as you get to hear the incessent humming off the machinery, see every piece working, breathing, moving. It makes the installation that more eerie, sanitised.

Here’s what Cohen has to say about the work;

The Immortal investigates human dependence on electronics, the desire to make machines replicate organisms and our perception of anatomy as reflected by biomedical engineering.

If you’re in London between 19th July – 16th October you can see it at the Superhuman exhibition exploring human enhancement at the Wellcome Collection.

Continue reading »

180 total views, 1 today

Bruno Walpoth Wooden Sculptures Are Incredibly Lifelike

| Art and design | May 26, 2012

Bruno Walpoth wooden sculpture

Bruno Walpoth wooden sculptures

Bruno Walpoth wooden sculptures

Bruno Walpoth wooden sculptures

Bruno Walpoth wooden sculptures

Artist Bruno Walpoth has made these very beautiful wooden sculptures. They appear almost alive, quietly contemplative, breathing lightly. They look utterly realistic but, if you look closely, you’ll notice the line work and cuts of his carving technique that adds the textures to their wooden skins.

Continue reading »

349 total views, 0 today

No Globes Is A Smog Filled Snow Globe By Dorothy Design Collective

| Culture and politics | May 25, 2012

smog filled globe by dorothy design collective

no globes by Dorothy design collective

no globes environmental design by dorothy

This snow globe titled ‘No Globes’ is by design collective Dorothy to protest the construction of coal-fired power stations in 2009. Its pretty smart – instead of seeing the usual idyllic snow covered scene you get a power plant spewing a disgusting cloud of black particles. There’s still one left if you fancy buying it.

Dorothy is a collective of like-minded people working on unlike-minded ideas.

 

Via Colossal 

248 total views, 2 today

Muhammad Yunus Answers 10 Questions About His Work

| Culture and politics | May 25, 2012

muhammad yunus interview

Muhammad Yunus is a hero of mine, a great man, a visionary. He started life as a Professor of Economics in Bangladesh but, after the famine that hit the country in the 70s, he founded the Grameen Bank, an institution that provides microcredit – who give small loans to poor people possessing no collateral – to help its clients establish creditworthiness and financial self – sufficiency.

Continue reading »

181 total views, 0 today

Parasite Choi Is A Short Film By 15 Digital Artists Working In 10 Countries

| Film and animation | May 25, 2012

parasite choi a collaborative film short

Here’s a mad short film called ‘Parasite Choi’ that was made by 15 digital artists from 10 countries across the world. To even get a film made with that kind of artistic difference is an achievment never mind putting together something that has a narrative, a structure.

The collaboration was made by; Murat Pak, Tim Borgmann, Gabor Ekes, Andrey Nepomnyaschev, Ben Reubold, CAOH, Chimera Studio, Emrah Gonulkirmaz, Icecream, Kim Holm, Monologue, Tom Waterhouse, OUKA Studio, Sam Spreckley, and Ihsu Yoon who teamed up to form a mega group of motion designers, sound designers and animation studios.

Continue reading »

213 total views, 1 today

Ridley Scotts Advice To Filmmakers About Storyboards

| Film and animation | May 25, 2012

 ridley scott gives filmmaking advice

ridley scott gives advice on storyboards

Here’s Director Ridley Scotts advice to filmmakers about storyboards. That vital part of the directors armoury. You know what I’m talking about, those comic book-looking shot plans you sometimes see in a ‘making of’ documentary. For artists who turned to film, like Terry Gilliam, they’re the one thing he can ‘lock onto’ during the complicated shooting process. Other filmmakers, such as Werner Herzog – well he just has to be contrary – have dismissed storyboards as;

Storyboards are for cowards, for those who lack imagination, for those who are bureaucratic and nothing else on the set.

Ridley Scott, like Gilliam, spent seven years in art school and his training in drawing and visual composition greatly informed his films – visual classics such as Alien, Blade Runner and of course the soon to be released Prometheus. In this video he discusses how storyboards, sketches and other pieces of hand drawn imagery help him make films. He reveals that whether you’re directing a $120 million motion picture, painting or even writing a blog post you face the same challenge:

Get rid of the white canvas. Get something right across the canvas. Otherwise you’re always looking at that area of white, which is like a blank sheet.

 

Via Open Culture 

234 total views, 0 today

The Brown Bread Mixtape Draws The line On Wednesday 30th May

| Life in a cultural petri dish | May 25, 2012

brown bread mixtape

Skills exchange member Kalle Ryan will be MCing another wonderful Brown Bread Mixtape next Wednesday 30th May upstairs in the Stag’s Head, Dublin. The theme for this month is ‘This is where I draw the line’ so expect a hilarious night of comedy, invention and talent.

Resident sound man Enda Roche will co-hosting and delivering the decibels, they’ll be live tweeting using the hashtag #BBMT and live streaming on their Google+ Page. As usual there will be a talented bill of performers including; music from Robin James Hurt, spoken word from Colm Liddy, sketch comedy from The Brownbread Players as well as their monthly raffle and lots of surprises and silliness.

Continue reading »

199 total views, 0 today

Trash Culture Revue Was A Great Success So Thanks To Everyone Involved

| All about mutantspace | May 24, 2012

skills exchange DIY Arts Festival at The Trash Culture Revue

The Trash Culture Revue is over. Finally. It finished on Sunday night but has taken me days to recover. It was heavy going with alot of events, gigs, talks, shows, workshops and partying to do, be at, enjoy. I did my best but it was an impossibility to attend all 25 events. It was three days of hectic, crazy, tiring fun.

It was our biggest DIY Arts Festival so far going from five events in 2009 to 25 in 2012. All of it produced by our skills exchange, our bank, through co – operation and collective action. In all the festival cost about €60 which is ridiculous when you think it often cost tens if not hundreds of thousands to programme, produce, manage and market a festival. Obviously you can’t compare apples and oranges but all the same it does show what can be done through positive action and collective power.

Attendances for all the events were generally pretty good and everyone I talked to enjoyed themselves, had a good time, got something out of it, met new people, heard new ideas, ways of thinking and so on. We even had a few future partnerships and collaborations coming out of it which is what our skills exchange is all about. So all good. All better than I thought.

There are so many people to thank not least everyone in mutantspace that got involved, participated, got stuck in and went with it, created an autonomous space that was open to co – operation and collaboration. So I’m not going to name them, name you. You know who you are. Suffice to say that without everyone there would be nothing. Together we created a space to do, make, create, learn, exchange, fail and I hope in the future we can build on these foundations, keep it going, trying, putting the word out that there are other ways of doing things, cracking the inevitable, the impossible.

We’ll do it again, later in the year, probably in November. So if you want to get involved, have an idea let me know.

Continue reading »

214 total views, 0 today

Charles Bukowski On Depression And How He Coped With It Through His Work

| Book reviews and writers | May 24, 2012

charles bukowski on depression

Charles Bukowski is known as the ‘laureate of American lowlife’, a man who wrote about what he knew; depression, poverty, the tedium of work, broken relationships, alcoholism, drug addiction and so on.

Bukowski himself grew up in a poor immigrant household, had an abusive father, took to the drink at a young age, was a postal worker for many years and had a long and tumultuous relationship with Jane Cooney Baker, a widow eleven years his senior, who drank to excess and died at 51, leaving his heart broken.

He also suffered from depression and somehow managed to turn his demons, his days of darkness, into a source of personal and creative renewal. In this video he explains how he suffered from it and how he dealt with it.

Continue reading »

275 total views, 0 today

Page 2 of 812345678

search our blog

check out our skills bank

Check out our bank where we pool all our skills for the benefit of our mutantspace members. It's free to join and registration only takes a minute

submissions to our blog

we're always delighted to publish your work in our blog. So If you want your art seen by thousands of people then go to our submissions page to get more info

go on you know you like us

eat from our feed

help us make this work