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Crisis And Revolution A New Book By Activist Group Observatorio Metropolitano And Available For Free Download

| Culture and politics | May 31, 2012

Crisis And Revolution A New Book By Activist Group Observatorio Metropolitano

‘Crisis and Revolution’ is a new book written and published by Observatorio Metropolitano, an activist group based in Madrid, Spain. The English version is available here to download was translated and edited by Dublin based activists and researchers Mick Byrne, Patrick Bresnihan and Richard McAleavey.

The book offers a much needed critical and European wide analysis of the ongoing economic and political crises and struggles. It appears at a time when the existing media and political spokespeople fail so miserably to relate to or understand the feelings and frustrations of the people they are supposed to represent as well as the structural (il) logic of financial capitalism which remains fundamentally unchallenged. This failure is in part due to a lack of knowledge and discussion around new forms of capitalist reproduction (through the financialisation of more areas of our lives, including housing, education and health) as well as the absence of any meaningful reflection on the incipient movements for change which have emerged throughout Europe.

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252 total views, 1 today

London Police Street Art Is Beautifully Graphic

| Art and design | May 31, 2012

london police street art

london police street art

london police street art

The London Police make really clean street art. Very graphic, bold and these days can be seen on walls all over the World.

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219 total views, 3 today

A Delicious Root Vegetable Soup Recipe

| Recipes from a mutant kitchen | May 31, 2012

root vegetable soup recipe

Here’s a delicious root vegetable soup recipe from our mutant kitchen. Enjoy it.

In early February, I paid a routine visit to my doctor and in the course of that visit, he trailed the word obese. This remark had an electrifying effect on me and, for the first time in my life, I went on a diet. For a man who loves his food, this decision was to generate a degree of misery but it did deliver. Over eight weeks, I lost ten kilos.

And so what is my secret? I did nothing that could be described as sophisticated and neither did I go hungry. I always ate enough. I just did not eat everything I wanted. Thus, full fat milk was replaced by the low fat variety and butter and cheese were forsaken. All bread, pasta, rice and potatoes were banished, and in their place I ate mounds of vegetables and crisp breads. Fortunately, I do not have a sweet tooth and so in accordance with my normal diet, I also did without, for example, all cakes and chocolate. I cut out beer and thereafter reduced my alcohol intake to two glasses of red wine a day. Finally, I stepped up my exercise and even resumed a little gentle running for a few minutes every morning. About once a week, I confess I broke out. I allowed myself a steamed potato or a small portion of rice or pasta. On occasion, if I felt really low, I even savoured a sliver of good cheese.

One of the problems I faced while dieting was lunch, a meal which for me and many others is centred on a sandwich. Bread was verboten. A partial solution lay in large bowls of nourishing soup carefully selected to avoid fattening ingredients like potatoes. In this context, my favourite was a root vegetable soup, which I stumbled across in a Delia Smith recipe book. The only objection for me was the inclusion of swede amongst the ingredients. I have never much liked turnip in any shape. I accordingly replaced it by simply increasing the weight of the other vegetables proportionately. However, I reproduce the recipe below more or less in its original form.

Slow-Cooked Root Vegetable Soup
Vegetable quantities are prepared weights

225g peeled carrots, cut into 5cm lengths
225g peeled celeriac, cut into 5cm pieces
225g trimmed and washed leeks, halved and cut into 5cm lengths
225g peeled swede, cut into 5cm pieces
1 small onion, peeled and roughly chopped
1.5 litres vegetable stock
3 bay leaves
Salt and freshly milled pepper

A few chives, snipped (optional)

Pre-heat the oven to gas mark 1, 140°C

Place all the ingredients in a lidded flameproof casserole and bring gently to a simmer. Put the lid on and place it in the lowest part of the oven for 3 hours, by which time they vegetables will be meltingly tender. Remove the bay leaves and liquidise in a processor. Reheat and serve garnished with the chopped chives.

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333 total views, 1 today

John Holloway Open Letter To The Misfits Of The World

| Culture and politics | May 31, 2012

john holloway open letter to the misfits of the world

This is an open letter from John Holloway to you. Especially appropriate given that today, in Ireland, we’re voting on the European Fiscal Stability Treaty. He is an extremely eloquent man. Read on and let the blood rush to your head, get excited, believe, dream, create.

To the misfits of the world, to all of us who do not conform to the closing of humanity:

Now, more than ever, the world looks two ways at once.

One face looks towards a dark, depressing world. A world of closing doors. A closing of lives, of possibilities, of hopes. These are times of austerity. You must learn to live with reality. You must obey if you want to survive, give up your dreams. Do not expect to live by doing what you like. You will be lucky to find a job at all. Perhaps you can study, but only if your parents have money. And, even then, do not think that you can study something critical. Criticism has fled from the universities and so much the better. What is the point of criticising when we all know that the world is set in its course? There is no alternative, just the reality of the rule of money, so forget your dreams. Obey, work hard in whatever scrap of employment you can find, or else look forward to a life of hunting through garbage cans, because there will be no welfare state to protect you. Look, look at Greece and be warned! That is the impoverishment you can expect, that is what will happen to you if you do not submit, that is the punishment meted out in this school of life to naughty children, to those who hope too much, to those who want too much.

This lesson of despair was learnt very well, too well, by Dimitris Christoulas, who shot himself in Sintagma Square in the centre of Athens just a few weeks ago. A 77-year old ex-pharmacist whose pension was wiped out by the austerity measures imposed by the governments of Europe, he said “I can find no other solution than to put an end to my life before I start sifting through garbage cans for my food.”

This is the meaning of austerity. This is what the governments of Europe and the world are trying to impose on the people – all the governments, all of them alike the servants of money, whether they speak from apparent positions of power, like the German government or whether they are the simple functionaries of the international bank system, like Papademos or Monti. The austerity measures do not just impose poverty, they cut the wings of hope.

That is the direction the world is heading in, but is that all there is? Is there no way we can turn the world around? Does the world not have another face, one that looks in a different direction?

The death of Dimitris Christoulas faces in two directions: it is a despair, but also a refusal to accept despair. In his suicide note he writes “I believe that young people with no future will one day take up arms and hang this country’s traitors upside down in Syntagma Square just as the Italians hanged Mussolini in 1945.” Hope glows in the very depths of despair.

The basis of that hope is a simple No. No, we will not accept. No, we will not accept what you are trying to do to us. No, we will not accept your austerity. No we will not accept the discipline of money, no we will not accept the killing of hope. No, we will not accept the obscene inequalities of this world we live in, no we will not accept a society that is hurtling us towards our own destruction. And no, we will not suggest alternative policies. We do not want to solve your problems because the only solution to the problems of capital is our defeat, the future of capitalism is the death of humanity. Even if capital solves this crisis, the next one will not be far away, even more destructive. We will not obey you, politicians-bankers, because you are the dead past, we are the possible future. The only possible future.

That is our hope: we are the only possible future. But our possible future is no more than a possibility. Its realisation depends on our being able to turn the world around.

How do we turn the world around? Dimitris Christoulas speaks of young people taking up arms and hanging the politicians from the lampposts. That idea grows more attractive by the day, and the politicians of the world know that it is not just fantasy: that is why in Greece they are afraid to go out in the streets, that is why in all the world they are giving more and more arms and powers to the police. Yet, however attractive the idea, it is not by arms that we can turn the world around and create something new. Our rage is of a different kind.

Rage and love. Refuse and create. That is the only way we can turn the world around. Love walks hand in hand with rage, creation springs from refusal.
We are the fury of a new world pushing through the foul obscenity of the old. Our fury is not the fury of arms – guns are their weapon, not ours. Our fury is the fury of refusal, of stifled creation, of indignation. Who are these people, the politicians and bankers who think they can treat us like objects, who think they can destroy the world and smile as they do it? They are no more than the servants of money, the vile and vicious defenders of a dying system. How dare they try to take our lives away from us, how dare they treat us like that? We refuse.

We roar a massive NO that resounds through the world, but our refusal means little unless it is supported by an alternative creation. Our No to the old world will not hold unless we create a new world here and now. The anger of our refusal spills over into new creations. Representative democracy has failed and we build a real democracy in our squares, our meetings, our protests. Capital fails to provide the basics of life and we form networks of mutual support. Money destroys, and we say “No, we shall create a different logic and a different way of coming together”, and so we proclaim “no home without electricity” and organise the reconnection of the electricity supply whenever it is cut off. Debt-collectors come to take away our homes and we organise mass protests to stop them. People go hungry and we create community gardens. The drive for profit massacres human and non-human life and we create new relations, new ways of doing things. Capital pushes us off the streets and out of the squares and we occupy.

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326 total views, 1 today

A Piano Played By 5 Pianists At Once By Video Artist Koki Tanaka

| Art and design | May 31, 2012

koki tanaka japanese video artist

These two videos; a piano played by five pianists at once and a haircut by nine hairdressers at once are the work of video artist Koki Tanaka who has recently been asked to represent Japan at next years 2013 Venice Biennial. HIs work is centred around mundanity. It is his obsession. Throughout the noughties he created a series of videos in which he demonstrated mind – numbingly complicated procedures to complete mundane tasks like getting into a house, drawing a line or closing the doors on a vehicle.

These days he’s producing hour long videos such as those above that follow a narrative structure. In both works a group of people are given a seemingly difficult challenge. The loophole – very few rules.

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180 total views, 2 today

Peter Brings The Shadow To Life By Joe Pease

| Art and design | May 30, 2012

Peter Brings the Shadow to Life by Joe Pease

Skateboarder and filmmaker Joe Pease has brought shadows to life in this video called ‘Peter Brings the Shadow to Life’ that takes its inspiration by an essay called ‘Shades of a Shadow – Symbolism in J.M. Barrie’s Peter Pan’ which talks about things such as:

It is not uncommon for children to play with their shadows or to imagine that they are tangible. However, in order to grow up, children must leave behind this fantasy…no one ever fully grows up. Instead, growing up is a process that continues throughout life.”

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138 total views, 1 today

Casper Claasen Street Photography Is Wonderful

| Photography | May 30, 2012

casper claasen street photographer

street photography by casper claasen

street photography by casper claasen

street photography by casper claasen

street photography by casper claasen

street photography by casper claasen

street photography by casper claasen

street photography by casper claasen

Photographer Casper Claasen loves taking candid, unposed images of interactions between strangers and their everyday surroundings. I love looking at his street photography. He’s very good at what he does. Like he says on his website:

I like how an apparently everyday moment can become a short story when photographed.
How a non–scripted moment looks that odd, meaningful, beautiful or funny that it looks scripted. But it isn’t. I am thrilled when I succeed in doing this.

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182 total views, 2 today

J.S. Bach’s Masterpiece, The Goldberg Variations, Is Now Free To Download

| Everything about music | May 30, 2012

Kimiko Ishizaka records J.S. Bach goldberg variations

J.S. Bach’s Goldberg Variations was first published in 1741 and is considered the most ambitious composition ever written for harpsichord – an impressive piece of one – up manship. As pianist Jeremy Denk said about it;

the piece begins with an initial melody, the Aria, followed by 30 short but brilliant variations built on eight notes that Bach appears to have borrowed from Handel. One of the most beautiful thing about the Goldbergs is that Bach uses it as a canvas in which to draw this seemingly infinite world of possibility, he grabs from everybody; he basically does a mashup. He does things in the style of the French overture, in the style of different dances; he does lamenting — from the smallest to the largest, from the happiest to the saddest.

This is the first creative commons recording of Bachs masterpiece and started life as a kickstarter funded project. Its now available to you entirely for free so download it and play with it as you wish. It was recorded by Kimiko Ishizaka and performed on a Bösendorfer 290 Imperial piano in Berlin.

This recording is a big deal. This work is over 270 years ago and public domain scores and recordings are hard or impossible to find. So it’s your lucky day. Pass it on to people you think would enjoy it.


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183 total views, 2 today

Wonderful Photographs Of London In Puddles

| Photography | May 30, 2012

london in puddles by photographer gavin hammond

london in puddles by photographer gavin hammond

gavin hammond london in puddles

gavin hammond london in puddles

gavin hammond london in puddles

gavin hammond london in puddles

gavin hammond london in puddles

These images of London in puddles by photographer Gavin Hammond are rather wonderful . They’re very atmospheric and remind me of Ireland; damp, wet, overcast, melancholic. It’d a rather smart idea and gives you a completely alternative view of the citys architecture and those that pass it by.

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190 total views, 1 today

Check Out This Jeff Buckley Documentary: Everybody Here Wants You

| Everything about music | May 30, 2012

jeff buckley documentary everybody heres you

For many people of a certain age the release of Jeff Buckleys debut album, Grace’, in 1994 was a singular moment. It was one of those albums that everyone got, listened to, it was an instant classic. Jeff Buckley looked destined to be a rock god with his good looks and beautiful voice – and it’s his fault every busker on the planet sings ‘Halleluiah’ even though its a Leonard Cohen song – but sadly he drowned in the Mississippi River before he could release his second album. He was only 30 years old.

This 2002 BBC documentary, called ‘Jeff Buckley: Everybody Here Wants You’ tells the story of his life;

featuring rare footage of Buckley’s early performances and interviews, along with commentary by Jimmy Page, Patti Smith, Chrissie Hynde, his mother and many of the people who were close to Buckley. It chronicles his early work as a guitarist in Los Angeles, his emergence as a singer and songwriter in New York, the making of ‘Grace’ and the ghost that was always shadowing Buckley: the complicated legacy of his famous biological father, the folk singer Tim Buckley, who he barely knew, and who also died young.

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188 total views, 1 today

Photographer Tamir Sher Put Classic Paintings On A Turntable And Snapped Them Speeding Round

| Photography | May 29, 2012

photographer tamir shers masters on 45s

photographer tamir shers masters on 45s

photographer tamir sher masters on 45s

photographer tamir sher masters on 45s

photographer tamir sher masters on 45s

photographer tamir sher masters on 45s

Photographer Tamir Sher has created this series entitled ‘Masters On 45s’. A pretty simple concept really. Get hold of an old record player, place reproductions of old masters onto the turntable and photograph the images at varying speeds. A sort of re – mix of key painters in art history such as Van Gogh, Raphael, Michelangelo and van Eyck.

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187 total views, 1 today

Designer Mengyu Chen Has Made Fantastic Paper Pop Ups

| Book reviews and writers | May 29, 2012

paper pop ups by designer mengyu chen

paper pop ups by designer mengyu chen

paper pop ups by designer mengyu chen

paper pop ups by designer mengyu chen

Designer Mengyu Chen has made these fantastic paper pop ups as experiments for her forthcoming comic book. They’re fab aren’t they? Simple shapes, black and white, lots of fun, great to see.
I must keep an eye out for her comic when it comes out…

 

Via Colossal 

203 total views, 1 today

Vladimir Nabokov Lectures On Kafka In A Reconstruction Starring Christopher Plummer

| Book reviews and writers | May 29, 2012

vladimir nabokov teaches franz kafka

This video is a reconstruction of a lecture Vladimir Nabokov gave on Franz Kafka’s ‘The Metamorphosis’ in Cornell University in the late 1940s. In his original lectures on literature Nabokov wrote;

From my point of view, any outstanding work of art is a fantasy insofar as it reflects the unique world of a unique individual.

In this reconstruction, made in 1989, actor Christopher Plummer introduces the lecture and then goes on to play the part of Nabokov.

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306 total views, 4 today

This Hyper- Realistic Painting By Omar Ortiz Is Technically Superb

| Art and design | May 29, 2012

hyper realistic painting by omar ortiz

hyper realistic painting by omar ortiz

hyper realistic painting by omar ortiz

hyper realistic painting by omar ortiz

Artist Omar Ortiz has painted this beautiful hyper-realistic painting using a difficult technique that requires alot of oil painting skill to create that depth of focus and reflection of light on skin that you see in these images.

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427 total views, 5 today

Jack Long Creates Beautiful Splash Photographs Of Exotic Flowers

| Photography | May 29, 2012

splash photography by jack long

splash photography by jack long

splash photography by jack long

splash photography by jack long

splash photography by jack long

splash photography by jack long

Photographer Jack Long has created these beautiful splash photographs of flowers called ‘Vessels and Blooms’ which at first glance you’d be excused for thinking are portraits of strange exotic flora. However, if you look closely you’ll see that they’re actually a carefully crafted series of coloured splashes shot at an incredibly fast speed.

The photographs took months of preparation; testing different techniques, pigments, dyes, thickeners as well as old fashioned trial and error. Once Long decided on the right mixes and concoctions he blasted the liquid through a customized mechanism before snapping the splash in a perfectly timed capture. Judging by the results you’d have to say his patience paid off. And don’t forget the flower pots are splashes too

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220 total views, 1 today

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