Roman Opalka died on the 6th August, this year. He was 79. He lived in the South of France, on a hillside somewhere. He tried not to travel, if he could avoid it. He always tried to be at home. He was absorbed by time, not so much the precise chronological measurement of time pieces, but the more philosophical notion of a small spark of finitude (ourselves), momentarily alive in the universe, before being extinguished into infinity. It seems it was this tragic, but beautiful juxtaposition between this little spec of vulnerability and fragility, gazing out on the endless ocean of infinity, knowing every moment of our brief lives, that we were heading for this nullifying infinitude, alone, getting closer to it, with each passing day, that inspired his life’s work. So some forty years ago, or more, he decided to embody this awareness in his day-to-day life, which became a living work of art. Continue reading »
Roman Opalka And The Philosophy Of Time
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The Culture of our Education System
Yes my daughter dipped her little toe into the culture of our education system today – she went to her first day of pre –school. The first of many. Time has run away from my wife and I – our baby has entered the education system and nothing will be the same again. Continue reading »
Okay, I know, I know, it’s only pre – school; games and play and fun. It gives our daughter the opportunity to learn how to socialise, communicate with others, gain confidence with her peers, learn something about independence, understand group dynamics, blah, blah, blah, all fundamental life skills that she’ll carry with her for the rest of her life. I know.
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How an Australian mutant has been using our skills exchange
One of our mutantspace members, Jennifer Williams, from Australia, has recently moved to Ireland and has been using our arts skills exchange to create new work and relationships with other artists. Here is her story
I moved to Bandon, Co. Cork in February of this year. I’m an Australian performer and writer, originally from Newcastle and Sydney. One of the things I was most worried about when moving was losing all my creative contacts back home in Australia. I really wanted to get involved in the arts scene over here and do some performing if I was able. I did a fair amount of research before leaving, joining a few Irish theatre groups on Facebook, emailing those people that I could find contacts for.
Due to a lot of happy coincidences, and a fortunately timed post on Facebook by one of those Irish theatre groups, I ended up at a Theatre Space Open Forum the day after I arrived in Cork. Even better, I ended up sitting next to a mutantspace member who explained the idea of the website to me. I was amazed. I had come over to Ireland with the hope of making some theatre, writing and performing, but I had half expected it not to work out. Continue reading »
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weaving the cultural fabric of our community
It always comes down to social relations; the cultural fabric which binds us together as human beings, as community. My family buried my much loved uncle last week. It was sudden, unexpected and tragic and as we all gathered in the west of Ireland to celebrate his life and mark his passing we found ourselves bound to one another through blood, story and history. The future became all the more richer for that.
In the days that we were there together; talking, eating, walking, drinking, our disparate lives, our individual exterior worlds fell away and we walked upon a common ground resplendent in memory, the collective memory of a man who touched us in so many different ways, as lover, father, brother, uncle, cousin, friend, colleague. Continue reading »
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A Book Review of Zeitoun by Dave Eggers
One of our esteemed skills exchange members has written a great book review of Dave Eggers ‘Zeitoun’. A book whose subject matter bookends Naomi Kleins, ‘The Shock Doctrine’ which I reviewed earlier this month
Out of every act of violence, of destruction and catastrophe, something beautiful can emerge. The woes of turmoil in reality are often catalogued in art for two differing reasons. Firstly, because it’s relevant; and secondly – and most crucially – it’s to make sense of the mayhem. The attack on and subsequent collapse of the Twin Towers, just shy of a decade now, set a litany of writers to their tables. The horror of the piping smoke, and the illimitable travesties that lay for weeks under the smouldering rubble, were far more surreal than what fiction tells. The results were engrossing. Martin Amis, chiefly an author, got a book out of the attacks. In a series of punch-packed essays, one of which spiralled Amis into infamy after claims bits of it were anti-Islamist, the irrepressible master of the craft was at is his stylistic best. Films on the subject arrived, too, over- reliant on sensationalism and sentiment.
The world of fiction roped in the event in the hope they could make it appear more ghastly than it already was – an impossible task, despite a plethora of decent tomes taking on the insurmountable. The reasons for many of their failings were simple: all of it was too violently real to tamper with. Yet often it does work, and there is a simplistic reasoning for that also: because, though we hate to admit these things, we’re open to reliving carnage because it makes us feel more alive. Continue reading »
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iPhase; a generative music toy
Hi, my name is Mikael Holmquist – a member of the mutantspace arts co-operative – and recently I released my first iPhone application on AppStore called the iPhase. I’m writing here today to share with you the process of how it came about.
I became a member of this skills exchange last year during my ERASMUS exchange with UCC, Cork. I studied Computer Animation, Programming and Experimental Music. Inspired partly by those courses and partly by numerous sound art- and experimental music events I went to in Cork city I came up with an idea and started to experiment with sound programming.
During my course in Experimental Music I got particularly interested in the work of composer Steve Reich and eventually created a flash application that I named “phase” Continue reading »
It basically consist of a grid where you, with your keyboard or mouse, can place small bouncing dots that go back and forth playing tones of different frequency. The application explores the phenomena of phase, a recurring theme in much of Reich’s work. My idea was to use the application to create a number of dots more or less randomly – there is even a randomize function – and then listen to/discover the melody as it changes due to phase shift.
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calm before working the festival storm
I’m losing interest in everything cultural, anything, ho hum. I feel like I’m coming into a new season of festival work with the same players, playing against the same teams at the same odds; terrible cliches, jaundiced views, narrowed focus, closed minds. It’s almost unbearable. I’m much happier sitting on the couch in my daughters cushion made pirate ship keeping her and the plastic cow and horse and pig and sheep company while looking through a cardboard telescope for marauding robots and rockets flown by monkeys. Continue reading »
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John Holloway and Crack Capitalism
For some reason every time myself and my brother meet up and get talking John Holloway and his latest book, Crack Capitalism, find its way into our conversation
Over the weekend I had a fantastic long night with him, sitting on the North Western shores of Ireland. As the wet night wore into day and our beer drained away, our conversations –as they always do – began plumbing the depths of a new world order, anti – capitalism, negativism and the need for systematic change.
And, as I said, not for the first time Holloway and his theories graced our conversation. I don’t know much about him but he is always name checked whenever we talk about change, politics, social structures, systems, etc. Continue reading »
In brief Holloway is a renowned sociologist and philosopher, whose work is closely associated with the Zapatista movement in Mexico.His 2002 book, Change the World Without Taking Power, has been the subject of much debate in Marxist, anarchist and anti-capitalist circles. In it he contends that the possibility of revolution resides not in the seizure of state apparatuses but in day-to-day acts of abject refusal of capitalist society. This notion is often seen as Autonomist in outlook and thus his work is often compared and contrasted with another Autonomist figure, Antonio Negri, whose documentary I posted in this blog 2 years ago
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The ethical implications of charitable giving by Slavoj Zizek
I thought I’d share another wonderful RSA animate with you by renowned philosopher, Slavoj Zizek , who has been investigating the surprising ethical implications of charitable giving. The title is called ‘First as tragedy, then as farce’. Please let me know what you think of it. As per usual it is a smart, incisive, clear and concise view of something we come across everyday…
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How the US spends their National Security Budget
So what does the USA spend their National Security Budget on? Are you remotely interested? This essay is detailed and you may think inappropriate as most of you reading this don’t live in America however, what America gets up to effects all of us so sometimes its worth looking at little further into how they spend their money on National Security
As the USA sinks deeper into the quagmire of Republican madness and ineffectual democratic policies and after recently reading Naomi Kleins ‘The Shock Doctrine’ I thought i’d bring you this piece from a great blog called tomdispatch.com. It’s a great site and Tom himself was very kind to let me take whatever I wanted whenever I wanted so long as I referenced him in the preface. So there I have. Continue reading »
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the need for collective cultural play spaces
Last night I watched the last episode of a great series called The Secret Life of Buildings. Play was the starting point. Play as a fundamental part of being human, being social, being a collective, the starting point of all cultural space. He started with Stonehenge, a social space that was designed to bring people together and ended up in a wooden shack that serves as an arts centre outside Cambridge, England. In between was everything that stood against the notion of play, the collective, the social, the human. Continue reading »
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Ready, prepared, all clear for take off
One of our valued skills exchange members wasps Vs Humans is launching his first book, ‘Sustain your Ability to Satisfy’ in 2 weeks – a book of punk poetry, musings and lots more. We wish him the best of luck with it and for his tour which kicks off right after it. So from the man himself;
So here I am about to dip myself into the book published ocean. Scared of course, will anyone like it, buy it, will anyone go? You know the usual stuff that races around your head at such times. But I’ve managed to overcome all these inwardly demons so far and taken the plunge. My book ‘Sustain your Ability to Satisfy’ will be released on Thursday 25th August at the Firkin Crane Theatre, Cork, along with dates at The Glor Sessions, Dublin, Tongue Box Dublin, Brown Bread mix Tape, Dublin, Spirit Store ,Dundalk, Clonakilty, De Barras and a launch in the UK, my home town of Lincoln. This is all very exciting. I’m proud and whatever happens it’s been a wonderful journey so far. Continue reading »
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Hurling is the bedrock of us
I’m excited. Semi – Finals of the All –Ireland Hurling Championships are on this Sunday. I’m already anxious, the tingling has begun. Hurling is a magnificent Irish game and is one of the most exciting spectator sports in the world. I must admit I am entirely biased when it come to both the game itself and the match on Sunday. I never grew up with hurling, infact its fair to say I didn’t really know what hurling was until my teenage years as I had grown up abroad. However when I first met my wife I was given a baptism of fire into the GAA – her family are long standing members of the GAA in Tipperary, hurling is in her blood. Continue reading »
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The dog days of summer are wasted in Cork
The dog days of summer are upon us (well sort of, they’re meant to be, if it stopped raining). If truth be known I’ve been lulling about in them for some weeks. There comes a time when you’re weary, tired, brain dead, thoughtless, barren, devoid of ideas and lacklustre. Sick of anything to do with culture. However, as an independent producer, albeit a small one, I can never afford to stop, somehow I have to keep going, pushing, looking for new ways to create space in which magic can happen, to make the next few quid to pay the bills. And what helps pay the bills are tourists.
However August is always quiet – a lead up month to the resumption of the madness that is September and October. September is our busiest time as the City prepares itself for the onslaught of students – which it relies on too heavily – and the first music festival of the season, the International Cork Folk Festival. Continue reading »
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The Futurist Cookbook: a demented cookbook
Today conspired to make me drink wine in the afternoon; because I can, because I don’t, because it’s lashing rain and the summer has given up without a fight. And so while gradually falling into a wine rotten stupor I thought it appropriate that I share with you the wonders of a rather odd cookbook which sits on my bookshelf; The Futurist Cookbook written by Filippo Marinetti in 1932. Continue reading »
Now this isn’t your regular Jamie Oliver, Gordon Ramsey, Michelin starred cookbook. Rather it’s a provocative, slapstick, rude, offensive, hilarious, Mussolini approved book of recipes and ideas for dinner parties concocted by the founder of the Italian Futurist Movement.
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