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Tattoo Art Show in Dublin this September, you interested?

| All about mutantspace | May 31, 2011

Irish tattoo convention

Every weekend this year a new or established tattoo convention pops up around the world, from London to New York, Cobh to California! Thousands attend these shows to get inked, buy jewellery and clothes, listen to bands and have a few jars over the weekend. Body art is nothing new, having begun life as symbols of fertility, wards against evil and standards of hierarchy within tribes. In a way, not much has changed! Except we now have a strange thing called ‘fashion’ that tells us tattoos are cool in general, but that you don’t want a dreaded ‘tramp stamp’ any more. Hard to keep up? I’ll say!! But don’t worry, because we have an event lined up that will set the record straight and show off the talent of tattoo artists and any artists who are influenced by tattoo culture.

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Delicious recipe for Spinach and Ricotta Gnocchi

| Recipes from a mutant kitchen | May 30, 2011

spinach and ricotta gnocci

This month our skills exchange foodie cooks up some delicious spinach and ricotta gnocchi

The word dumpling gives me an immediate shot of culinary warmth. However, the odd thing is that I am not that keen on this kind of food. Dumplings feature in many cuisines, even here in Ireland where they are made both with flour and suet and with potatoes. The northern Chinese are very partial to their dumplings and they are also to be found in Cantonese dim sum. Usually made from either flour or potatoes and some water, they are then cooked in water, soup or even in a stew. To me, regardless of what form they take, dumplings are tasteless, glutinous and stodgy. Perhaps as a food type, they reach their apogee in the South Pacific. There, I encountered a dish known as lap lap, which brought tears of joy to the eyes of the indigenous population. Made with cooking bananas, grated taro or manioc (also known as cassava) mixed with coconut milk, the sticky mass is wrapped in banana leaves and cooked in a ground oven. The end product is bland and has a consistency so distasteful, that starvation would be a pleasant alternative!

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rudeness is the biggest obstacle to overcome in the music industry…

| Everything about music | May 28, 2011

music festival programmes

One of the biggest obstacles to overcome in the music and creative industry is the pig ignorant behaviour of the few who think they are above everybody else. The amount of times you do not get an email back from an enquiry you’ve made, never ceases to amaze me. How long would it take to press the bloody reply button and answer back? If you are at the bottom, most so called movers and shakers will not have the time. Take Cork X South West as an example, my emails have gone out and the organiser has not bothered to reply to me. Even though they were supposed to be having a spoken word stage, and as a spoken word performer living in Cork, it might have been nice to be involved. You don’t expect to be on the bigger festivals when you are starting out, but with a festival on your doorstep the odd Cork poet might have been a good gesture, a missed chance.

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making carnival art or optimizing websites?

| Life in a cultural petri dish | May 27, 2011

fantastic carnival style flags

The last few nights have been long, tiring and hectic. For the first time in years myself and my wife have been up till the wee hours making carnival props in our living room. It brought both of us back to a time when we did it as a living, her making costumes, me building large puppets and floats and the two of us travelling the country to various festivals doing parades. They were good days but in the lead up to a festival work seemed neverending often going on from early morning until 2/3am.

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is mutantspace an arts resource or co-operative?

| All about mutantspace | May 26, 2011

is mutantspace an arts resource or co-operative

I’ve been deliberating over the difference between mutantspace as an ‘arts resource’ and mutantspace as an ‘arts co – operative’. The reason being is that the site is beginning to get more publicity and is receiving increased online traffic. The clarification of what mutantspace exactly is gets even more important when I have to optimize the site for search engines – in short I need to be found in cyberspace under the right search queries and leave the user in no doubt as to what it is they’re looking for.

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mutantspace, why bother?

| Culture and politics | May 25, 2011

mutantspace arts resource

People often ask me why I bother with mutantspace arts resource. Why I would do something; run a website, a bi –annual DIY festival and a daily blog for nothing, free gratis. It’s a lot of work. It has cost money to set up, install, code, programme and none of it was cheap. Infact you can safely assume I’ll be in paying off my Credit Union loan for another 5 – 6 years. So what do I get out of it? How much time do I spend on it? What’s the point of it? What good is it?
Well, my stock answer to all those questions is that not everything has to have a monetary value. If that was the case we truly would be living in a dark world, a world without invention, creativity and expression.

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doing mad pride in rural Ireland

| Life in a cultural petri dish | May 24, 2011

mad pride ireland

I’ve been offline for 3 days and it feels like an eternity. With no access to the internet time has somehow managed to expand in a strange way and most wonderful way. I feel like I’ve been on holiday. The reason for missing my online duties is that around this time of year I spend more hours working in the physical world as opposed to this world of binary, pixels and code. The summer months are the most active months for me as I’m often away running festivals or markets – working in a physical space, on the ground, getting shows on the road.

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Review of Orhan Panuks book, The Museum Of Innocence

| Book reviews and writers | May 20, 2011

museum of innocence

Orhan Pamuk’s book, The Museum Of Innocence, is a study of obsession and love, a difficult subject to keep the reader interested in unless they are persuaded by the narrators suffering. In The Museum of Innocence Panuk doesn’t quite pull it off.

The novel is narrated by Kemal, a wealthy 30-year-old who recalls his life through his obsession from the mid-1970s to the present. When we meet him first he is happily engaged to the respectable Sibel but very quickly into the novel he becomes infatuated with his distant cousin Füsun, a beautiful 18-year-old shop assistant. While Istanbul is in the throes of civil unrest and societal upheaval due to the conflicting responses to the spread of western freedoms, Kemal tears himself in two, dividing his attentions first between Sibel and Füsun. In the end he breaks off his engagement with Sibel – turning away from his rich westernised society friends and lifestyle – in the hope of marrying Füsun only to find she has disappeared. In the throes of obsessive love he is effectively in limbo, lost between two loves, two societies, two Istanbuls.

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Campaign for the old Dublin City Arts building: TAKE BACK THE CITY!

| Culture and politics | May 19, 2011

campaign to occupy old dublin city

The old City Arts Building, once a hub of collaborative arts projects, has been left vacant for the past 9 years. Like so many other well known buildings, and half of the country’s new estates, it has now fallen under the control of NAMA.
We want to turn the old City Arts building into an independent space which can be used by anyone to organize workshops, talks, screenings, gigs, and much more.

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Good SEO practice for an online arts resource

| All about mutantspace | May 18, 2011

Running an online arts resource and skills exchange, even a small one like mutantspace.com, means very little art and lots of computer obsessive nerd stuff such as coding html and php, seo, analytics, link exchanging, posting and social networking. All of this requires an inordinate amount of time hunched over a computer, googling for information, watching dull videos by other obsessives, cutting and pasting code into textpads and hoping that you’re on the right track. It truly is one of those occupations that suck you in and melt your brain.

When I started out with mutantspace.com in 2008 I knew nothing. Nothing at all. Up until 2003 I had never even used a computer and it wasn’t until 2007 that I used anything more complicated than an Xcel document. Now it’s different. Has to be, because now I run a skills bank and blog and need people to know about it, come to it, have a look around, hopefully join up, see what members are writing about in our blog and so on. All of this means that I have to be ranking highly for certain keywords, search queries, etc. If not I’ll never be found and there’s only one way I can ever do that and that’s by becoming a SEO geek.

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Play at the Theatre Development Centre

| Life in a cultural petri dish | May 16, 2011

play at the theatre development centre

Sometimes I think that having someone to play with can make all the difference to how successful you are as an artist. Of course some art forms are by their nature solitary such as; writing, composing, painting, sculpture and so on however the desire to engage, debate, question and explore is always better shared. Living in a bubble never does anyone any good. Nothing good comes out of a bubble. This question often pops into my head when I find myself floating through a gathering like a ghostly apparition as I was on Friday evening at the launch of the Theatre Development Centre in The Triskel Arts Centre, Cork.
The Centre is in my view a huge step forward for the arts in Cork. A space dedicated to the development of new work, a free space for practitioners to investigate, experiment and collaborate on new work, new ideas. Most importantly the centre insists that artists perform their work in progress before an audience at the end of their weekly residency. This single rule gives artists an impetus, a discipline and much needed feedback and constructive criticism. It can only be a good thing.

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tips and advice for bands looking for gigs

| Everything about music | May 14, 2011

Bands and musicians need to be serious about what they do, need to think clearly about where they stand, what they want and where they want to go otherwise they’ll end up flailing around, wasting time, energy and ultimately failing.
So why am I bringing this up? Because the other night one of the bands playing at the venue I run was an unmitigated disaster. It went something like this; young band get in touch with me. They want a gig. They’re a young band starting out so I decide to give them a slot, a space, an established place to play in (the venue I run is small, 80 – 100 people and has a good reputation).
Thursday night came around and I was hoping my gamble would pay off – young eager band would push their gig, pack it out and rock the place. No. Bad bet, wrong decision. It started at the sound check. It was lacklustre, no real energy, feeling, fight, charisma. It was as good as over, I knew what was coming, I was in for a hard night. Energy and charisma are critical for success. Without it you have nothing

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Album Reviews from Seeping Into Cinemas, Henrietta Game and The Foo Fighters

| Everything about music | May 13, 2011

Seeping Into Cinemas: 100,00 Times (Le Cheap Équipe)

Seeping into cinemas is the solo project of Dublin musician, Barry O’ Brien. The album that zero’s in on electronica is made up of ten songs, inhabited with dreamy soundscapes and a whisper quiet voice. The result: a rather subdued, electronica tinged affair.

“100,000 Times” is a simplified melodic and haunting homage to a world full of broken hearted misanthropes and sad souls who dream of escape. In places it is resonant of a time when Billy Corgan decided to take it down a bit and created: Adore. Tracks like Shoot Out, Coded and the stunning Dour Hour duly notes O Brien as a most capable musician who’s songs and album refuse to intrude and plays out effortlessly. It’s beautiful. IT’S STUNNING, IT’S AWESOME, go get it, it’s out June 17th.

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The Penan tribe, Borneo forests, tai chi and cobras

| Life in a cultural petri dish | May 12, 2011


Sunday, 17th April, 2011

Stranger in the Forest (I)

In 1982, Eric Hansen, the author of ‘Stranger in the Forest – On Foot Across Borneo ‘ laid out the best map of Borneo he could find (mapped by the British Ministry of Defence) on the floor of the long house he was temporarily staying in, for the benefit of his two, about-to-be, Penan jungle guides (Penan is pronounced Pen an ; the second syllable is stressed). They pressed down the folds with the palms of their hands in bewilderment. They’d never seen a map before. Eric pointed at a spot on the map indicating where he wanted to get to. One of the guides placed a stick, a stone and a leaf, in a line, in a space on the floor, next to the map. The stick represented a river, the stone a mountain, and the leaf, the Kelabit highlands. This was the journey that lay ahead. This was the map they understood. Eric folded his map away feeling quite childish and inadequate.

Leaving the long house they crossed the nearby village’s paddy fields soon reaching the edge of the forest, which was primary; unaltered for millions of years. The trees stood over 200 feet tall. The only food they had with them was 25 kg of red-tinted hill rice and tea. They had no compass, medicine or radio. Once inside it was dark and cool. Eric wouldn’t see the sun for the next four weeks. He needed to be committed. They walked for 8-10 hours a day covering four miles each day. There was no path; just streams, slimy rocks, steep muddy ridges, slippery roots and steep ledges. The walking was hard. John and Tingang Na, the two guides, knew the way from a combination of the changing direction of the streams, certain vines on certain trees and the angles of sunlight breaking through the canopy overhead. To an outsider the forest interior all looks the same; navigation markers are scarce: ‘Take 2 steps off the trail, get disorientated, and that’s the last anyone sees of you.’ (SITF)

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What the hell is Community?

| Life in a cultural petri dish | May 11, 2011

Community. What is that? Will someone please tell me because I am sick to death of the hearing it. I’ve had enough of the media telling us we belong to this community or that community. Rubbish. Community is used to pigeon hole us, stick us somewhere nice and neat and perfect. Ruled and subjugated. Community is used to stir up resentment and bitterness and generate fake news about fake communities that end up on fake television debates which result in endless drivel in opinion columns with experts whose argument is based on a fallacy. I mention this because I recently watched a tv debate on the ‘rural community’ in Ireland. The whole programme was set up to create conflict between two communities that don’t even exist; urban and rural. Both sides of the argument debated ‘issues’ that have nothing to do with community but everything to do with market forces and the political system in which we live.

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