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The best recipe for almond and honey cake

| Recipes from a mutant kitchen | April 30, 2011

This month our skills exchange resident foodie presents us with a delicious almond and honey cake 

When I spoke to you last, I was out there happily scratching around in my patch, and eating bowls of pasta. The sun was shinning, the weather forecast was wonderful and I believed that gardening would continue to be the order of the day for the foreseeable future. Well!  “The best laid plans of mice and men….“ and all of that. Just over two weeks ago, I knocked out my back, have been in pain and immobilised ever since and now wonder when I shall ever get back to my garden. Worst of all perhaps, I have not been able to engage in much cooking, as standing in the kitchen for any length of time brings on agonising back spasms. And so I have made good use of the pasta recipes recommended to you last month. I have also been raiding the kitchen cupboards for whatever was available, as shopping was, for a time, ruled out.  Fortunately, the freezer was well stocked, and how grateful I was that it was so.  I have survived and slowly my life is beginning to return to normal. But I have made a fervent resolution for the future. Like that proverbial squirrel, I must always have adequate food stocks in the house to withstand life’s calamities.

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the arts community, state funding and the status quo

| Culture and politics | April 29, 2011

Why does the arts community insist on fighting for the status quo or at the very least being indifferent to it, being apolitical? The status quo has done very little to create a space for true artistic expression, a space for artistic development. No, rather it has turned the artist into a producer of product supported by the state. Now don’t get me wrong, state funding and support has a part to play – without it many arts institutions would not exist – however we have been coerced into a cultural economy that relates artistic output to monetary value and this can only have a long term negative effect on the development of the arts within our culture.

Why should this be so? Because by relying on the state for support artists will always be subordinate to the will of the state. And being dependent on taxpayers money means the state can always assert itself – to the detriment of artistic expression – by supporting those that create and produce generic product that can be of benefit to the state.
Think this is overstating the case? Then just take a good look around. See how many state funded organisations, festivals and companies are producing relatively the same thing; the same programmes, the same style, genre all under the banner of D-I-S-C-O-V-E-R –I-R-E-L-A-N-D.
Listen to what the government has said about monetizing ‘brand Ireland’.
Read the bureaucratic rubbish that serves as arts organisations mission statements.
It’s a lie wrapped up as culture, sold to us through the media and endorsed by ‘influencers’, ‘cultural commentators’, sycophantic artists, administrators and quangos whose livelihoods depend on the lie being perpetuated.

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Hidden Quarters: a photographic story of 3 homeless men from Belfast

| Life in a cultural petri dish | April 28, 2011

Photographs are used within the home to tell the story of our growing up, events within our life and the people that are familiar to us. They can also offer a unique insight into the life of a person and the story they want to tell.

This exhibition is the story of three men whose home was the streets, alleys and doorways of Belfast city. We observe homelessness from the outside, but the Hidden Quarters exhibition offers us a unique perspective. These are intimate portraits of the places inside the city that they called home.

The Cork and Belfast Life Centres have collaborated to bring this exhibition to Cork. On Tuesday the 3rd of May at 12pm, the Lord Mayor of Cork city will open this exhibition in Camden Palace. The public are invited to attend this opening and meet the Artists involved in this positive and affecting event.
Exhibition runs until May 10th

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How to get into DIY book publishing

| Culture and politics | April 27, 2011

Why a book? We think nothing of a band releasing a CD without a record deal. This is seen as evoking the post punk DIY approach of the 70s, taking back control of the music industry, and to a large extent it has worked very well. I wanted to use this same approach with writing and releasing a book. I would keep control of output myself. So going DIY without a publishing contract seemed the way forward. Or is it?

There is so much to know; page layout, ISBN numbers, legal copies to libraries, the list goes on. I managed to weave through all the above tasks, of sorts, with help and advice along the way.

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Allotment diary: growing sugar snaps

| Life in a cultural petri dish | April 25, 2011

Our green fingered Skills Exchange member tackles growing sugar snaps in his allotment

Lucy-may brings sugar snaps from Guatemala in her lunchbox everyday so I decided I’d like to replace them with our own. I was having an internal debate recently as to whether it was a good idea to put healthy stuff in her lunch box. She might associate this stuff with school and never eat it again. I contemplated giving her junk food with the hope of turning her off it for life but that was vetoed. Then there is this whole other issue of eating raw food; there’s a theory abroad that cooking food allowed humans to divert precious energy from the digestive process to brain development. The corollary of this can only mean that eating raw food would dim the lights somewhat. Mmmmm…I’m sure the odd sugar snap is harmless enough though.

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Burning Man: Art in the Desert and the Irish involvement in 2011

| Culture and politics | April 23, 2011

Burning Man 2007 was the spark that lit the fire in me and out of those embers came mutantspace. It is one of the largest arts and culture festivals in the United States and takes place annually during the last week of August in the temporary Black Rock City that springs up for the event in Nevada’s Black Rock Desert.

On Friday I received details from Burners Ireland about the award given to Dubliner Diarmuid Horkan, cofounder of the International Arts MegaCrew (IAM), who was awarded the commission to create and construct the official 2011 Temple project for the Burning Man event. The Temple is the largest art commission awarded by Burning Man, and this is the first time this commission has gone to an international artist.

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it’s always the little things…

| Life in a cultural petri dish | April 22, 2011

What will I do when I die?
Sleep like Arthur until a great arts project awakens me from my slumber?
Or will I simply miss all the things I now take for granted because I’m too caught up in my own preciousness, my own image, my own dream of what I should be, could be, must be.
Yes. I shall lie and think of the small things:

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Wolfhall by Hilary Mantel is a wonderful read

| Book reviews and writers | April 21, 2011

I don’t like historical novels. Especially ones involving the Tudors and Henry VIII and even more so after the rubbish that was ‘The Tudors’ on television over the last few years. So, it was with great trepidation that I bought, read and then succumbed to Hilary Mantels wonderful book, Wolf Hall; The story of Thomas Cromwell, Chief Minister to Henry VIII who oversaw the break with Rome, the dissolution of the monasteries and who was widely hated in his lifetime.

He is as unlikely an historical hero as you’ll meet. Throughout history he has been portrayed as a corrupt proto-Stalinist. In Shakespeare’s ‘Henry VIII’ he is a derisory sideshow, in ‘A Man for All Seasons’ he is depicted as a villain who hounds Thomas More and then there is the Hans Holbein portrait of him (who is a character in the book): a man in dark robes with a shrewd, unfriendly face, holding a folded paper like an upturned dagger. He looks, as Hilary Mantel has him say in her new novel, “like a murderer”.

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my short relationship with a book voucher

| Life in a cultural petri dish | April 20, 2011

I’ve just sneaked off to do my favourite thing in the world. It has taken me months to do but I’m finally finished. And oh, such sadness, the moment has passed but it had to come some day, some day. It has been hard work but most enjoyable. It required will power, serious thought and a clinical eye but I did it. Infact, I can honestly say that it’s the first time in many a long while that I’ve actually given time to a project. Have contemplated, thought about, ruminated and debated with myself. And the result is now at my feet; a bag of books. All bought with a voucher from Waterstones.

See, I got a generous book voucher from Waterstones for my birthday in February and for the last 8 – 9 weeks I’ve been dossing off work, slinking into the bookshop, browsing the shelves looking at what they have on offer and making lists of possibilities. Early on, in February, I thought I’d get the whole deed done in one go, one outing, spend the voucher and walk out, happy out, with my brand new books. But it isn’t that easy. It has been a real problem for me. I love buying books, it’s special, a precious thing, not to be taken for granted, sullied. It is a serious business. I don’t buy new books that often because I can’t afford too. I usually I buy in second hand stores or on Amazon – if I’m looking for a particular non – fiction title – as it’s either cheaper or on plastic. Places such as Waterstones are for Christmas, birthdays and special occasions.

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With Violent Minds

| Short fiction and poetry | April 19, 2011

The crowd rushed towards the scene as if it was a parade stomping rapidly through the town. Already ticker tape embossed with warning slogans ran like a giant snake sectioning the area off. Those with the best view of the scene were the quick-footed teenagers, excited and fearless. Positioning themselves at the front of the blockade, scores, prepped by the giddy fantasy of youth, peddled the first rumours, which flew like a quick cancer to those too slow, too knowing, too scared. The sound, that first advent intended to herald the beginning of all things, was spoken of and distorted, adding further confusion. There was one billowed scream, and then a deep thud; or there was a serene silence, and then a cacophonic boom as if a building had liquefied; or an explosion, followed by a force of intense heat, had roared and killed Chalk Lane’s pedestrians. Certainty had been lost, but everyone – the swarm of teenagers, the stalled street urchins, the frustrated business men and those alone in the moment – had some idea, some private, gnawing conspiracy. A traffic warden, empowered now to be a figure of authority, forced back those spilling through the blockade with a lead truncheon. The crowd were unappeased, some shouting crude obscenities, but moved back momentarily as the media hounded into the open spaces. The only casualty accounted for at the time was the truth.

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Allotment Diary: planting the potatoes and onions

| Life in a cultural petri dish | April 18, 2011

This month our skills exchange gardener decides to plant potatoes and onions

The first thing Lucy-May wanted to do when we got to the allotment was to check and see if the spuds had started growing. She wanted to water them and while she was doing that I started on the onions.
The Chief of Staff (the missus) visited the allotment to inspect and when she saw the potato ridges she asked was I digging a foundation for a house. That was an unsubtle reference to my occupation before the bust. I still think they are good ridges and hell, I’ll be able to grow monster carrots in that ground next year.

I was on the phone to my friend Oracle during the week and he said I was time enough with the spuds. “It’s time enough to have them in by Good Friday”, he said and I said, “But Good Friday is very late this year”, and he said, “It’s calculated by the moon so you go by Good Friday. Easter falls on the first Sunday following the first ecclesiastical full moon that occurs on or after the day of the vernal equinox; this particular ecclesiastical full moon is the 14th day of a tabular lunation (a newmoon to you and me); and the vernal equinox is fixed as March 21. Resulting in that Easter can never occur before March 22 or later than April 25″.  I said, “Oh right, ok, I see, yeah”. And we tried to work out why was Good Friday calculated by the moon and all the other dates are fixed, Christmas for example. I heard somewhere that the calculation of Easter caused a bit of a rift between the Roman and the Celtic Church so beloved of modern day free-range Nuns.

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Play lego and grow up

| Culture and politics | April 16, 2011

Red lego blocks, blue, white, yellow, white, black. Two locked together make a mammy horse, baby pig, space rocket, digger, robot, plane, tractor, car, house, garage, dinner, bed. Who cares, they can be anything, do anything, be anything when you’re two years old flying about, busy building, breaking, throwing, trying, playing, failing, experimenting, falling down and getting up. The effort of newness and pushing boundaries and ideas all happen in a 24 hour minute of play. It’s constant work all day and then to bed exhausted; the imagination worn out after a delirium of never ending excitement and possibility. So why not us, why can’t we? Because we’re conditioned out of play. Formal education kills it slowly, softly, teaches us by rote, A – B – C, 1 – 2 – 3. Our view is shrunk into narrow parameters. We are inculcated into systems of work and rules of behaviour that exclude the wonderful colour and breath of our life – what is possible and what is not.

‘You can’t fail’
‘Get qualified’
‘Don’t rock the boat’
‘You can’t be different’
‘There is only one way of doing it’
‘It won’t work so don’t bother trying’
‘Treat yourself as a brand’
‘You’re not talented’
‘You’re not creative’
‘You can’t use your hands’
‘You’re good for nothing’
‘Buy a house’
‘Get a pension’
‘Settle down’
‘Don’t be stupid’
‘The majority must be right’
‘You’ll grow out of it’
‘Stop being contrary’
‘Sshhh…….’

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the final pleasure of running a band competition

| Everything about music | April 15, 2011

A few days ago I was ranting on about the stress of putting on gigs. Wondering why I did it when
all it did was cause me grief. Towards the end of the post I mentioned the good points, albeit rather briefly. Afterwards I thought that a bit disingenuous – so many words put to negative use without the good points being allowed to show their face, stand up for themselves. Well today I put that to rights.

Last night was the finals of a battle of the bands competition I’ve been running for the last 2 months called ‘Sound It Out!’ 50 bands applied to an online callout and 36 were chosen to play in 3 venues (The Roundy, An Realt Dearg and Bourbon Street) over 4 weeks. There were then 2 quarter finals, a semi finals and last night the grand final in The Pavillion. It’s been long, drawn out, at times tedious, tiring and disappointing but overall has been a wonderful success, especially for the musicians. The quality of bands was good and the music well varied. All of it pointing to one thing; that there is a very healthy music scene in Cork. Something which is always good to see.

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Notes from Borneo; snakes, writing, nasi Lemak and comrades

| Life in a cultural petri dish | April 14, 2011

Monday, 4 April, 2011

Snakes after a Siesta

I have just surfaced from an early afternoon siesta. As I waited for the kettle to boil, my groggy gaze drifted outside the kitchen window, onto some dry, parched and used up banana trees. The rain fell heavily this morning, thank God. It hasn’t rained in days; the longer the rain stays away, the hotter it becomes. This morning was a balm – the sound of splashing puddles on the road to work was deliciously cool and wet. However, as I was vacantly gazing out of the kitchen window, a rivulet of sweat coursing down my back, and the breezy crunch of leafy banana fronds, now parched brown, on the turn, their greenness behind them – ripe to set alight – stirring my dawning wakefulness, the refreshing  wet of the morning had almost entirely evaporated into a trace of nostalgia.

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Album reviews of Brooke Fraser, Robert Sarazin Blake, The Blackout

| Everything about music | April 13, 2011

BROOKE FRASER: Flags (Wood & Bone) * * * * * 5/5

Antipodean singing sensation Brooke Fraser released ‘Flags’ last week to a sold out gig in The Sugar Club. Her first Irish Date at that! Spreading her wings away from home, Fraser is stepping away from significant fame in her home land of New Zealand, where she is an eight times platinum selling artists and has packed up her bags to go on the road to push her new album and gain new fans.

The album is occupied and formed out of vivid tales of stories and characters with intro-centric tunes, catchy hooks and clever production. Fraser drew inspiration from characters other than herself and opted for colourful storytelling on Flags. The result is an enchanting storybook of soft lingering melodic songs that creep in on you and refuse to leave. There is an astonishingly simple yet diverse catalogue of charming songs on this album that will indeed win over new fans.

Her exploration of different instruments and soundscapes add to the whole feel of the album and show off her potentially flawless ability at production. Standout tracks include the opener Something in the water (which has over 1.6 million views already!) with its instantaneous sing-a-long appeal and the beautifully sparse “Sailboats.”

This is a MUST for the music collection. It doesn’t get any better than this.

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