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Who loves Peppa Pig?

| Life in a cultural petri dish | November 22, 2010

Who loves Peppa Pig? Me for one. My daughter has me hooked. I must admit it’s kind of weird. I had never heard of Peppa Pig until my daughter saw it on a childrens TV channel and was, from then on, addicted. And I do mean addicted, well and truly obsessed. Up until 6 months ago I had no idea who Peppa Pig was but I had heard mutterings and whisperings of and about her from friends who also had small children. I naively thought that my wife and I would be spared this affliction. Our strict control of the television would prevent our daughter falling into the black hole of pig addiction. We were so wrong. She found Peppa Pig and is now officially an addict. Hooked to a cartoon pig.

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The Irish economy freakshow coming to a radio near you

| Life in a cultural petri dish | November 19, 2010

It’s hard to think of anything else at the moment other than the economy. I never thought I’d say that. It’s surreal. I’m looking out the window and the day is as it is. Cold. I have a gig tonight as I do every Thursday night, all seems normal, everyday, yet , at the same time our country is plunging into economic meltdown.

I’ve just been listening – on radio – to the relatives of the signatories of the 1916 proclamation give their views on the current state of the country. Yes, we’ve got to that stage, the freak show is in town with its righteous talk of freedom, independence, equality and sovereignty. Sovereignty? What is that really? Does it mean anything to anyone anymore? We’re not sovereign in the real meaning of the word. We live in a globalised world, a capitalist economy that is controlled by market forces. Period. We’re not independent. Surely this whole debacle has blown that cover wide open. Is no one paying attention? Up until recently we were happy to describe ourselves as an economy; a cultural economy, a smart economy.  Not now, no, now we’re suddenly a country that has lost its sovereignty. Hypocrites. We have to stop and start thinking about what this all means. What it means to be Irish? What our culture, history, traditions mean to us. Not in some academic way but in a real way, a meaningful way, in an everyday.

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The bankruptcy of Irish culture and the death of the chimera

| Life in a cultural petri dish | November 17, 2010

So this country is now facing the inevitable – bailout by the ECB and IMF. This is a truly momentous moment in the history of the Irish State. We have brought it on ourselves and are now going to pay the price. In cultural terms it is seismic. For the first time in many years we’re going to have to start working together as a community and to do this we’re going to have to start sharing our resources, skills, time and knowledge.

Years ago I spent a while working with a great dance – theatre company in Berlin called FABRIK. It was during that time that I saw the real benefits of people working and sharing together, it was in Berlin that the seeds for mutantspace.com were sown. There, people actively encouraged and supported each other. They shared their skills, techniques, knowledge, information and contacts with one another. Even their squat parties were fantastic but only because everyone helped out, gave a little to make alot. At the time the difference between there and Ireland was immeasurable. In Ireland I always felt that the arts sector was mostly made up of individuals who coveted their knowledge and would stab you in the back if given half the chance. I still do.

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Cultural exchange and social networking in a rural pub in Ireland

| Life in a cultural petri dish | November 15, 2010

It’s always good getting out of your bubble and this weekend I headed off on the bus to Tipperary to visit my in – laws. It’s a small place in a beautiful part of the country and I am very fond of it and my extended family. However, every time I go I am made aware of how out of touch I am. How my interests belong in a small, confined, self absorbed little world that has little to do with most people living in this country. In Cork (where I presently live) I, like most people, surround myself with a group who are generally interested in the same things whether that be books, films, music, sport, politics. This bubble is always burst when I get off the bus in Tipperary. There’ I am the fellah married to the daughter of…’ and I’m on my own in a place saturated in the culture of hurling and farming. Two things I know little about but have become increasingly interested in over the last number of years.  It’s as if I walk from one culture into another. I am teleported into another world and it’s very satisfying. It’s great to know that we’re all so different, that our relationship to our country, our traditions are lifetimes apart yet make up a whole; a living breathing and endlessly interesting life continuum.

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Trash Culture in a mutantspace

| All about mutantspace | November 12, 2010

Okay, so The Trash Culture Revue is over nearly a week. I’m still tired after it. Still shook. It takes alot out of me. I feel like a one man band playing a symphony. It’s alot too take on with no money and little time. Having said all that, it went fantastically well. Best yet. Well attended gigs, poetry readings and theatre shows. Performers and punters had a good time. A success. Well, yes and no. Yes, it happened, there were no hiccups, got good audiences and everyone had a ball. However, The Revue is all about collective action, it is a physical manifestation of an idea, a philosophy of working and an opportunity to spread the word about that idea, that philosophy. Bottom line. Period.  It’s not about numbers through the door – although that is important and it’s not about the quality of acts – however much it helps. It is about the idea and in this regard there are many aspects of The Revue that need to be worked on.

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Stag and Deer – Season One: Emerging Artists in Cork

| All about mutantspace | November 10, 2010

Since the weather has worsened and daylight becomes scarcer, I find myself drifting effortlessly into a kind of ‘Winter-Blues’ mode. Some people seem grumpier; when you accidentally brush against them on the street they pull disgruntled faces. To soften the blow, some people seek comfort in the notion of shopping (hunting and gathering if you will). Some people relish the opportunity to curl up in a place like O’Conaill’s for a delectable hot chocolate. Some retire for hours to talking bars like Meade’s 126 or the Hi- B, for a good old chinwag. What I’m getting at here is how the seasons change, and how seasons affect us as people; as talkers, walkers, thinkers, as lovers, creators, breakers, fakers, and as creatures in this expansive universe. This might sound clichéd, but much of what is going on in Cork at the moment, could be viewed as a response to such happenings. The artistic landscape in Cork currently, is more than the sum of its parts. Ideas and events are bigger, inclusive, exclusive, and interpretative.

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Blindness by Jose Saramago is a magnificent novel

| Book reviews and writers | November 5, 2010

I’ve just finished reading Blindness by Jose Saramago, Portuguese writer and winner of the 1998 Nobel Prize for Literature. I confess that I had heard nothing of him until I picked his book up, purely by chance, while browsing for new novels to devour, a favourite occupation of mine. I was instantly intrigued:

A city is hit by an epidemic of “white blindness” which spares no one. Authorities confine the blind to an empty mental hospital but there the criminal element holds everyone captive, stealing food rations and raping women. The inmates fight back, a fire insues and the inmates escape into an unknown city in which everyone is blind. However, there is one eyewitness to this nightmare, a doctors wife who guides her husband and fellow inmates; among them a boy with no mother, a girl with dark glasses, an old man, a couple and a dog of tears through the barren streets. The procession becomes as uncanny as the surroundings are harrowing. Surviving together in the doctor’s old apartment, sharing their few resources and finding a few small pleasures, the doctor’s family and their fellow refugees are still capable of acts of kindness, of generosity, fashioning out of the brute realities of their lives a fragile solidarity, a delicate bastion of civilization.

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Méadhbh Boyd speaks with Neil Hannon (The Divine Comedy)

| Everything about music | November 3, 2010

With a few reshufflings of personnel and a history of much genre-bending, The Divine Comedy has launched its tenth studio album ‘Bang goes the Knighthood’.  What started out as a relatively normal rock outfit developed into an inimitable chamber-pop group fronted by Neil Hannon. The most memorable DC moment for me was hearing ‘A Short Album about Love’ in 1997. It’s on the desk next to me now: a bit shabby looking but still holding a proud place on my shelf. It had a profound effect on how I regard pop music (hold on, there’s a 30 piece orchestra in this?), of course there are examples of orchestrated pop music preceding this, but I was simply blown away by every element from the clarity of Hannon’s voice, the witty tongue-in-cheek lyrics, the band, and the lush orchestrations. It was all so darn romantic, and one could say, a moment that heralded the imminent and long-lasting success of TDC.

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Delicious traditional homemade cake

| Recipes from a mutant kitchen | November 2, 2010

A delicious recipe for a traditional Irish Porter Cake. Yum.

I grew up in another age – in the 1950s and 60s. In those far off times, married women in Ireland rarely had paid employment; they cared for their homes and families full time. They worked hard but very often they also had leisure time not available to modern women, time which enabled them to call frequently on one another. I am also talking about the days before television, which put paid to a lot of casual dropping in on neighbours and friends, particularly in the countryside. These visitations, for I suppose that is what we may call them, often took place in the afternoon, but also in the evening, after small children had been put to bed. There was a bit of chat and then, inevitably, it was time for tea. This was the occasion when cake was produced and, in the house I grew up in, that cake had to be homemade. But even if visitors did not come knocking at the door, my Mother always took time off from her household work in mid-afternoon and treated herself to tea and a slice of cake. All this, of course, meant that cake-baking was one of the weekly chores. Many different cakes came out of the oven and there was great swapping of recipes and chatter about which woman made the best sponge cake, fruit cake etc.

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Antony and The Johnsons, Nick Howard, Cyndi Lauper, Kings of Leon

| Everything about music | November 2, 2010

ANTONY + THE JOHNSONS: Swanlights
Yet again another elegantly composed and painstakingly arranged record form the dauntingly magnificent Antony and the Johnsons. What is it? It is exquisite, evocative, melodic and with Antony’s incomparable voice remaining as the focal point, this record truly reveals its full potency when Bjork becomes the perfect complement to Antony, making an appearance on Flétta, an unadorned duet in her native Icelandic. To some it may be a laborious listen at times, but received with ease of mind and plenty of time to digest, this record is surely a fine masterpiece of startling beauty by a rather elite breed of artists out there today.

NICK HOWARD: Falling For You
Pop supremacy if ever I heard it. Nick Howard is a tick all the boxes, right time, right song type of guy. Latest offering Falling For you is a catchy, Jack Johnson meets Tom Baxter feel good song that should well catapult him into significance both here and further afield. And with a fine boastful array of catchy tunes already being used on top TV Shows in Europe and The States, it seems he is on a collision course with the big time. Watch this space.

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Pondering the community of street art, technology and time

| Life in a cultural petri dish | November 1, 2010

I was working last night, on Halloween night. I volunteered to be a steward for Artlinks annual Dragon of Shandon night parade in Cork. As I sat waiting for kick off amongst large skeletons, dragons, wolves, operating tables, devils and other ghoulish props and characters my mind wandered back to the days when I worked in street theatre. A job I did for over ten years. It was not a ‘good ol’ days’ jaunt through my forest of memories but it did push a number of thoughts to the surface; the humanness of a community – kids, volunteers, families, local businesses, crew, artists – brought together through carnival and how un – digital and un – technological that whole bringing together of the community in celebration is.

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Don’t Ask Why

| Short fiction and poetry | November 1, 2010

The phone cries on the bed-side locker and by the second jingle I know it’s her.
‘We’re winning,’ she says. ’Channel 5 – switch it on now.’
The static on the television jerks for a little while before adjusting itself to the broadcast. For a brief moment I’m pulled back to a book I once read, some tome on cosmology, and how static charge on your television – those illimitable black and white dots – is left-over radiation from the Big Bang.
   ‘See, I told you,’ she says ‘Apocalypse is coming, baby.’
The world, she had told me in an earlier email, was on the brink. That was the full email.
It was debris from a storming discussion earlier; we’d hit a few bars, guzzled some shots, argued for the zillionth time on the ongoing war. She’d said the outcry from 9/11 was not a justified reason to support the blitzing of people and towns in distant places. I hadn’t agreed. Outraged, she slammed her fist on a bar-stool and wanted to know why. A cousin – a distant cousin – was a fire-fighter, I had said, and he died a hero trying to save those burning inside. She apologised, and we sat in silence for an hour.
  ‘Still’, she said, breaking the silence, ‘don’t you think you’re biased?’
        It made me smile so I leaned over and kissed her. We both laughed.
On the screen now a line of soldiers are knee-deep in a river running through what looks like the surface of the moon. They are all smiling and chanting what appears to be an African mantra, which doesn’t seem right. A yellow bar running along the bottom of the screen reports the location: Helmand Province. A side-bar tells everyone in capitals that today’s death-toll has just reached 17. ‘Press the red button,’ the anchor says, ‘to find out which celebrity has outed themselves as homosexual’. ‘Or press the blue,’ he says ‘to access tomorrow’s weather.’
  ‘Should have seen it earlier,’ she says. ‘The report was gruesome. AWFUL.’
            ‘Go on,’ I say. ‘Hit me with it all. You’ll tell me anyway.’
She laughs at this, pauses briefly, and then says: ‘Some reporter came on air – Colin, maybe Clint, was his first name. Can’t remember the second part. Comes on, says he and the crew had been out that morning filming and they came across a body, some local kid, slung over a wall, and the head was across the street held up by a spiked rail. Crazy shit, eh?’
  ‘Thanks, Eve’ I say. ‘I needed that.’
I dart my eyes from the television to the windows and see I’ve forgotten to close the curtains. The illuminated digits on the counter-clock glow 3:07 and outside the sky is starless and craving for the moon. I think of F. Scott Fitzgerald – some dead writer we studied in school – and that quote he had, something like: In a real dark night of the soul, it is always 3 o’clock in the morning. The room’s silence is only killed by my heart-beat.
  ‘Come over,’ I say. ‘We’ll watch the sun rise and you can talk some more about headless kids.’
She laughs one more and says: ‘Be 10 minutes, I’ll bring some beer.’
hen she arrives she’s carrying an 8-pack of Tiger under one arm and a quilt embroidered with scores of little pink stars under the other. Her face – cheeks a shade of crimson from the cold – is half-cocooned in a swathe of printed silk from the nose down, but I can tell by the radiance in her eyes that underneath a smile has formed. She heaves a sigh and sits in front of the television, unspools the scarf to reveal I was right. Cracks open two cans, hands me one.

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Delphi Cut

| Culture and politics | November 1, 2010

The sanctuary has now fallen into great neglect, unlike in the past when it had been held in great honour.
Strabo, 1 AD.

After my mum died, over eight years ago now, her various bits and pieces- the objects left on her bedside table, her desk, by her bathroom sink- were separated out amongst her children. My sisters split the only really precious objects, her jewellery. The rest, which didn’t amount to much, was shared out without much thinking. In that vague, irrational aftermath I took everything on offer, including her baggy jumpers and an over-washed, woollen hat. One of the few things I kept which lasted beyond those first few weeks was her favourite mug. She had several mugs but this was the one she used most days. I used it everyday, almost religiously. Not long ago I came home to find the mug broken on the kitchen table. On seeing the broken pieces beside the small note of apology from my housemate I was struck by a terrible hollowness. It was one of the few objects remaining that belonged to my world and hers. As time moves further from the point of her death, these overlapping objects, clothing, furniture, a book, an old letter, get lost or broken. For that moment, leaning against the counter, another distance opened up, one that I felt could not be retraced.
I was faced with the practical matter of what to do with the broken pieces. I didn’t want to throw them out. I tried gluing them back together, racing into town almost immediately to buy superglue, but there were a few shards that had been lost and it never went back together, not like it had been, so I stopped before the glue set and shuffled the pieces around again. Without knowing why exactly I decided to keep the biggest piece, about a third of the mug. It had a large part of the face, including a black West Highland Terrier – her favourite dog – with a pink bow (once red), nearly the whole of the handle, and most of the base so it could just about sit upright. I threw away the rest, and kept this piece on my desk. Every so often, during the course of a day, when I was bored or distracted, I would look up and see it, always the first object to catch my eye. In many ways it was even more present as a memory. The complete mug, thinking about it now, may have lost its potency for being so functional even after my mum had died.

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Thousands flee as Ireland’s woes not linked to corruption

| Life in a cultural petri dish | November 1, 2010

Thousands of people have been fleeing the country since it became clear yesterday that our economic woes were caused by incompetence and not corruption. Many took to the sea in makeshift vessels in a desperate attempt to emigrate without having to fly Ryanair.

The exodus began after the Government said it would frontload* a large part of its €15 billion four-year budgetary adjustment. That followed disastrous survey findings showing Ireland to be one of the least corrupt nations in the world.

“If it’s not corruption, it must be incompetence,” a young woman said as she set out to sea.

“At least with corruption we had hope.”

“I’m not going to stay here to be frontloaded,” she added defiantly before drowning when her Range Rover failed to float.

*frontloading is widely believed to be a euphemism for being taken from behind.

From themire.net

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5 things Nicki Ffrench Davis keeps going back to

| All about mutantspace | November 1, 2010

Edison’s Last Words
I have a torn piece of newspaper that has been bluetacked beside my bedroom lightswitch for several years in different flats. It must have been published on an anniversary of Thomas Edison’s death (Jan 23rd 1981) and contains a few nuggets from this supremely inspiring mind which did alot more than just light up the world (as if that wasn’t enough!). I post it there to remind me of its last line, which quotes one of the last things the scientist said to his wife as he drifted in and out of consciousness in his final days - “It is very beautiful over there.”

Singing
It feels so good to make music right from the centre of your body – especially with other people when the sum of the parts is something none of us could achieve alone. I’ve sung in choirs all my life since I was 11 and am a proud member of the Cork Chamber Choir. We were founded in 2005 by my great friend Anne-Marie Curtin (who I met through singing), starting very informally in the sitting room of my flat on Grattan Street. Last year the choir entered the Choral Festival for the first time and romped home first in the church music competition (can you romp in a cathedral?! My granny would’ve said not I suspect). I was gutted to be in the audience instead of singing as I’d taken a year out for studies – it brought out a very bad side to me that I wasn’t very proud of! It feels good to be back now and I’m really looking forward to performing with them again, we have a concert of really gorgeous music coming up in November. Singing the words of Shakespeare and Emily Dickinson is much more fun than Latin stuff!

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Trash Gigs 17 – 19 May

Friday 17th May
Mutant Cabaret @ 9pm The Roundy, Cork
Hans Dens @ 8pm Gulp'd, Cork

Saturday 18th May
The Urchin Collective @ 8pm Gulp'd, Cork

Sunday 19th May
Cormac O’Caoimh and Stuart Wilde @ 7.30pm Gateway Bar, Cork

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