In the 1936 film Mr Deeds Goes to Town the eponymous character, Longfellow Deeds, is a small town poet who inherits 20 million dollars from his distant uncle. The solicitors responsible for the money arrive in Mandrake Falls to inform Mr Deeds of his new fortune. Immediately we understand that Mr Deeds does not share the same values as the city solicitors who are surprised, and a little exasperated, at his apparent disinterest in the news. ‘Why do I need 20 million dollars?’ says Deeds, satisfied with his life in the small town community. The solicitors don’t understand, setting the pattern for a comedy of misunderstanding.
We, the audience, know that Mr. Deeds is not stupid, while those around him presume that he is. Having moved to the city to take up his new responsibilities we see that his ways of responding to situations are often at odds with the normal functioning of that milieu. One of his responsibilities is to meet with people asking for money. The opera committee, for example, expect that a country poet will be a pushover in their efforts to secure funding for the year ahead. He tells them he likes music. He plays the tuba. They all smirk at one another, hardly suppressing their luck at finding such a sap. A ‘patron of the arts like your uncle’, they tease him. But when Deeds hears that they don’t make any money he makes it clear that he will not invest anything of his own fortune in the opera, even if it is ‘for higher reasons’. The overweight men are frustrated, not so much by his refusal, it seems, but by his insight.
Continue reading »

























